A work in constant progress (and occasional regress).
Release Date:
November 21, 1990
Original Title:
Silent Night Deadly Night 4: Initiation
Alternate Titles:
Bugs
Douce nuit, sanglante nuit - l'initiation
Iniciación satánica
Initiation: Silent Night Deadly Night 4
Natal Sangrento 4: A Iniciação
Ritos satánicos
Silent Night, Deadly Night 4: Initiation
Silent Night, Deadly Night IV: Initiation
Silêncio Sangrento
Stille Nacht, Horror Nacht 4
Tiha noć, smrtonosna noć 4: Inicijacija
Welcome to Hell
Инициация: Тихая ночь, смертельная ночь 4
Genres:
Horror
Production Companies:
Silent Films Inc.
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 US: R
Runtime: 87
A reporter investigating the bizarre death of a woman who leaped from a building in flames finds herself mixed up in a cult of witches who are making her part of their sacrificial ceremony during the Christmas season.
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ADR Mixer:
John Reiner
Additional Script Supervisor:
Melisa Sánchez
Art Direction:
Paul Burge
Assistant Art Director:
Andreas Wijkstrom
Assistant Costume Designer:
Lisa Ozar
Assistant Director:
Chris Edmonds
Assistant Editor:
Mark Goldman
Assistant Production Coordinator:
Christine Johnston
Assistant Property Master:
Wesley Young
Little Ron Cicero
Assistant Set Decoration:
Rosemary Tupta
Associate Producer:
Peter Teschner
Best Boy Electric:
John Willis III
Best Boy Grip:
Nelson Rascal
Boom Operator:
Glen Sharp
Camera Loader:
Lisa Guerriero
Casting Director:
Donald Paul Pemrick
Tony Markes
Color Timer:
Ray Morfino
Construction Coordinator:
Dan Bell
Consulting Producer:
Arthur Gorson
Costume Designer:
Marie Blom
Dialogue Editor:
Ken Gladden
Andre Caporaso
Director:
Brian Yuzna
Director of Photography:
Philip Holahan
Editor:
Peter Teschner
Electrician:
Bruce Jagoda
Ellsworth Chou
Todd Parker
Charles Pinkstaff
Executive Producer:
Ronna B. Wallace
Extras Casting:
Cathy Yuzna
Carolynn Botticelli
First Assistant Camera:
Ken Glassing
Steven R. Monroe
Foley Artist:
Dean Minnerly
Rob Muchnicki
Foley Mixer:
Paul Aronoff
Gaffer:
Al Farboud
Michael LaViolette
Grip:
David Ariniello
Frank Vivaqua
Dwayne Platz
Key Grip:
Matt Gulbin
Key Hair Stylist:
Carolyn Taye-Loren
Key Makeup Artist:
Carolyn Taye-Loren
Leadman:
Pascal Umbert
Location Manager:
Steve Coatney
Makeup & Hair Assistant:
Lonna Litt
Lisa Buono
Negative Cutter:
Chris Weber
Gary Weber
Producer:
Richard N. Gladstein
Production Coordinator:
Seth Blair
Production Design:
Gilbert Mercier
Production Manager:
Gary Schmoeller
Property Master:
Julie Brooke Beattie
Screenplay:
Woody Keith
Script Supervisor:
Kenneth Goldberg
Second Assistant Camera:
Jim Roudebush
Timothy Lott
Second Assistant Director:
Steve Coatney
Second Second Assistant Director:
Michelle Edmonds
Second Unit Director:
Thomas C. Rainone
Second Unit Director of Photography:
Al McFarland
Set Decoration:
Bill Lakoff
Sound Effects Editor:
George R. Groves Jr.
Craig M. Otte
Sound Mixer:
Alex Wilkinson
Sound Re-Recording Mixer:
Sam Black
Thomas J. Huth
Anthony Constantini
Special Effects Coordinator:
Thomas C. Rainone
Special Effects Makeup Artist:
Yasuko Kudo
Michiko Ishikawa
Masaaki Fukuda
Chieko Watanabe
Tamar Dick
Still Photographer:
Gino Mifsud
Story:
S.J. Smith
Arthur Gorson
Brian Yuzna
Story Consultant:
Barbara Karp
Stunt Coordinator:
Ken Lesco
Stunts:
Lee Waddell
Lynn Salvatori
Marco Paul
'Wild' Bill Mock
Anthony Cecere
Supervising Sound Editor:
Mark Server
Title Designer:
David McCutchen
Visual Effects Designer:
Screaming Mad George
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.