A work in constant progress (and occasional regress).
Release Date:
May 16, 2019
Original Title:
Naptha
Genres:
Drama
Production Companies:
Conspire Pictures
Film London
Film4 Productions
Foreign Material
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 18
Faraz’s quiet life working at an isolated petrol station is turned upside down when his ageing father Malik begins to speak in a long-forgotten language and insists on returning back home.
Additional Editor:
Chiara Armentano
Art Direction:
Anna Oldham-Cooper
Boom Operator:
Emanuele Gabbi
Casting:
Aisha Bywaters
Casting Assistant:
Ceri Bedingfield
Colorist:
Duncan Russell
Costume Design:
Ros Marshall
Costume Supervisor:
Yasmin Ross
Dialogue Editor:
John Cohen
Digital Imaging Technician:
Shahidul Khan
Director:
Moin Hussain
Director of Photography:
Tim Sidell
Editor:
Matteo Bini
Executive Producer:
Lauren Dark
Ollie Madden
Michelle Stein
First Assistant Camera:
Joseph Mastrangelo
First Assistant Director:
Nour Wazzi
Gaffer:
Leopold Naessens
Grip:
Neil Blakesley
Key Makeup Artist:
Becci Mapes
Lighting Technician:
Jeffrey Celis
Music:
Tim Morrish
Music Editor:
Rob Szeliga
Producer:
Tom Kimberley
Ali Mansuri
Production Assistant:
James Chatwin
Otto Hussain
Kate Marron
Production Design:
Paulina Rzeszowska
Production Executive:
David Kimbangi
Production Manager:
Eolande Diaz
Script Supervisor:
Kyla Simone Bruce
Second Assistant Camera:
Matt Rakstins
Set Decoration:
Rowena Zoro
Sound Designer:
Rob Szeliga
Sound Recordist:
Benjamin Gandy
Still Photographer:
Chris Sidell
Stunt Coordinator:
Jude Poyer
Visual Effects Designer:
Tom Kimberley
Daniel Cullen
Writer:
Moin Hussain
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.