A work in constant progress (and occasional regress).
Release Date:
August 15, 2019
Original Title:
La odisea de los giles
Alternate Titles:
A Odisseia dos Tontos
Balekok a pácban
Criminales como nosotros - Glorreiche Verlierer
Criminali come noi
Glorreiche Verlierer
Heroic Losers
Kahramanca Kaybedenler
Les Z-Héros
Les losers héroïques
Pechowi szczęściarze
Ηρωικά χαμένοι
Героические лузеры
Героични каръци
明日に向かって笑え!
英雄主义败类
Genres:
Comedy | Thriller
Production Companies:
Cine Argentino
INCAA
K & S Films
Kenya Films
Mod Producciones
TVE
Telefe
Production Countries:
Argentina | Spain
Ratings / Certifications:
AU: M BR: 12 DE: 12 ES: 12 GR: Κ-12 JP: G PL: 16 RU: 12+
Runtime: 116
In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.
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Additional Editor:
Ernesto Felder
Assistant Costume Designer:
Natalia Alayón
Assistant Director:
Federico Berón
Assistant Editor:
Geraldina Rodríguez
Assistant Location Manager:
Sol Bizzozero
Assistant Sound Editor:
Miguel Arias
Best Boy Electrician:
Matías Lanatta
Boom Operator:
María Elisa Canobra
Nicolás Payueta
Casting:
Iair Said
Continuity:
Catalina Croci
Costume Assistant:
Julián Rugolo
Costume Supervisor:
Valeria Fernández
Digital Compositor:
Toni Agoglitta
Martín Larravide
Juan Ignacio Lomónaco
Humberto Paytuvi
Natalia Paez
Martín Quirós
Alejo Varisto
Digital Imaging Technician:
Tamara Ajzensztat
Director:
Sebastián Borensztein
Director of Photography:
Rolo Pulpeiro
Drone Operator:
Ivan Insausti
Editor:
Alejandro Carrillo Penovi
Electrician:
Juan Facundo Estévez
Daniel Ciurleo
Manuel Canales
Luis Arancibia
Pablo Centeno Redondo
Andres Lutz
Miguel Rivarola
Francisco Nishimoto
Javier Caña
Executive Producer:
Micky Buyé
Javier Braier
First Assistant Camera:
Jonás Costa
Foley Editor:
Fernando Ribero
Gaffer:
Guillermo Saposnik
Graphic Designer:
Emiliano Konoba
Grip:
Juan Alejo Fernandez
Hairstylist:
Malvina Mariani
Key Grip:
Juan José Fernández
Key Makeup Artist:
Marisa Amenta
Location Assistant:
Mariel Cecilia Gómez
Location Manager:
Eugenia D'Alessio
Makeup Artist:
Silvina Paolucchi
Music Producer:
Juan Cortés
Orchestrator:
Gustavo Gini
Original Music Composer:
Federico Jusid
Post Production Assistant:
María Arrastoa
Post Production Coordinator:
Ezequiel Rossi
Post-Production Manager:
Victor Vasini
Producer:
Axel Kuschevatzky
Ricardo Darín
Leticia Cristi
Matías Mosteirín
Federico Posternak
Chino Darín
Simón de Santiago
Hugo Sigman
Fernando Bovaira
Production Accountant:
Juan Pablo Sepúlveda
Production Assistant:
Nicolas Pollastri
Miguel Casanova
Adrian Fiszbejn
Isabel Salanueva
Production Design:
Daniel Gimelberg
Production Manager:
Mercedes Tarelli
Production Runner:
Estefania Mejia
Production Trainee:
Rodrigo Mamone
Screenplay:
Eduardo Sacheri
Sebastián Borensztein
Script Supervisor:
Catalina Croci
Second Assistant Camera:
Mauro Vekselman
Second Assistant Director:
Teresita Barusso
Second Unit Director:
Federico Berón
Set Designer:
Natalia Mendiburu
Set Dresser:
Martín Zabala Monzón
Set Runner:
Nicolas Mollis
Sound:
Martín Porta
Sound Designer:
Andrés Franco
Martín Porta
Sound Effects Editor:
Lucas Fushimi
Sound Mixer:
Victoria Franzan
Sound Re-Recording Mixer:
Roberto Migone
Flavio Nogueira
Special Effects Coordinator:
Eduardo Puga
Special Effects Supervisor:
Federico Ransenberg
Steadicam Operator:
Gabriel Quevedo
Gustavo Triviño
Still Photographer:
Marcos Ludevid
Storyboard Artist:
Lucas Accardo
Stunt Coordinator:
Ariel Arredondondo
Thanks:
Úrsula Corberó
Anurag Maurya
VFX Artist:
Laura Sanchez Acosta
Visual Effects Coordinator:
Rocío Kancepolski
Visual Effects Producer:
Eva Amuchastegui
Visual Effects Production Manager:
Bruno Fauceglia
Visual Effects Supervisor:
Jonathan Monroig
Visual Effects Technical Director:
Marco Merletti
Santiago Furlong
Weapons Wrangler:
Alberto Jaceniuk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.