A work in constant progress (and occasional regress).
Release Date:
March 29, 2021
Original Title:
Barb & Star Go to Vista Del Mar
Alternate Titles:
Barb and Star Go to Vista Del Mar
Cuộc Phiêu Lưu Của Barb Và Star
Cuộc Phiêu Lưu Của Barb Và Star: Đường Đến Vista Del Mar
Đường Đến Vista Del Mar
巴布與斯塔爾的維斯塔德爾瑪之旅
러브 스파이: 바브 앤 스타
Genres:
Comedy
Production Companies:
Gloria Sanchez Productions
Lionsgate
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 GB: 15 HU: 16 NL: 16 PT: M/12 SE: 15 US: PG-13
Runtime: 107
The story of best friends Barb and Star, who leave their small midwestern town for the first time to go on vacation in Vista Del Mar, Florida, where they soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in town.
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"A" Camera Operator:
Edgar Hurtado
"B" Camera Operator:
Scott Dolan
"C" Camera Operator:
Ariana Romero Rodríguez
Juan Pablo Ortigoza
ADR Editor:
Michelle Pazer
ADR Engineer:
Erich Talaba
Anna Muehlichen
ADR Mixer:
Thomas J. O'Connell
Tami Treadwell
ADR Voice Casting:
Georgia Simon
Additional Hairstylist:
Lidia Dzul
Additional Still Photographer:
Carlos Somonte
Art Department Coordinator:
Vanesa Garnica
Hana Matsumoto
Mónica Gómez Hoyo
Art Direction:
Juan Pablo García Tames
Assistant Art Director:
Yosafat Delgado
Assistant Costume Designer:
Rochelle Carino
Bryan Kopp
Assistant Hairstylist:
Heidi M. Baca
Assistant Location Manager:
Melissa Kent
Casting:
Allison Jones
Ben Harris
Casting Assistant:
Emily Buntyn
Co-Producer:
Stacy Perskie
Controller:
Mariarosa Calderon
Costume Design:
Trayce Gigi Field
Costume Supervisor:
Carlie Tracey
Claudia Sandoval
Digital Imaging Technician:
Javier Armas
Director:
Josh Greenbaum
Director of Photography:
Toby Oliver
Editor:
Steve Welch
Executive Producer:
Jonathan McCoy
Extras Casting:
Julio Toledo
First Assistant "A" Camera:
Leonel Becerril
First Assistant "B" Camera:
Moisés Pemora
First Assistant Director:
Colin MacLellan
First Assistant Editor:
Lillian Dawson Bain
Foley Artist:
Sanaa Kelley
Matt Salib
Foley Mixer:
Arno Stephanian
Jordan McClain
Gaffer:
Andrés Medina
Graphic Designer:
Karla Mandujano
Raquel Fierro
Hair Department Head:
Jodi Mancuso
Key Costumer:
Eva Abigail Basilio
Key Grip:
Salvador Sacarias
Key Hair Stylist:
Cara Hannah Sullivan
Key Makeup Artist:
Malinalli Contreras
Line Producer:
Andrea Gamboa
Local Casting:
Mercedes Gironella
Angelique Midthunder
Location Manager:
Marcel Chan
Makeup Artist:
Tamara Plettner
Jaqueline Andrade
Makeup Department Head:
Liz Lash
Music Supervisor:
Julianne Jordan
Justine von Winterfeldt
Original Music Composer:
Christopher Lennertz
Dara Taylor
Producer:
Margot Hand
Tom Rothman
Kristen Wiig
Annie Mumolo
Adam McKay
Will Ferrell
Jessica Elbaum
Production Accountant:
Rebecca Rees
Rosa Isela Villegas
Production Coordinator:
Gaby Chacón
Production Design:
Steve Saklad
Production Designer:
Steve Saklad
Production Supervisor:
Ramses del Hierro
Cory C. Myler
Property Master:
Roberto Pizarro
Script Supervisor:
Jan McWilliams
Second Assistant "A" Camera:
Vanessa Marcano
Second Assistant "B" Camera:
Victor Alcantara
Second Assistant Director:
Ginger Gonzalez
Senior Visual Effects Supervisor:
John Haley
Set Decoration:
Mariana Castañeda
Set Designer:
David Soto
Raul Celaya
Jaime Rivas Ruiz
Sound Designer:
Jon Title
Sound Effects Editor:
Jessie Pariseau
Matthew Thomas Hall
Sound Re-Recording Mixer:
Aaron Glascock
Christopher S. Aud
Stand In:
Jim Castillo
Steadicam Operator:
Edgar Hurtado
Still Photographer:
Cate Cameron
Stunt Coordinator:
Hugo Aguilera
Stunt Double:
Heidi Pascoe
Supervising Art Director:
Rafael Mandujano
Supervising Sound Editor:
Nancy Nugent Title
Unit Manager:
Patrick Heyerdahl
Unit Production Manager:
Jonathan McCoy
Ángel Rincón
Milenco Galipienzo
Utility Stunts:
Talia K. Dillingham
Writer:
Kristen Wiig
Annie Mumolo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.