A work in constant progress (and occasional regress).
Release Date:
March 1, 1982
Original Title:
The Secret Policeman's Other Ball
Genres:
Comedy | Music | TV Movie
Production Companies:
Amnesty International
Production Countries:
United Kingdom
Ratings / Certifications:
US: R
Runtime: 90
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
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Assistant Director:
John Cleese
Associate Producer:
Michael Hamlyn
Camera Operator:
John Metcalfe
Simon Ransley
Camera Production Assistant:
Brian Herlihy
Continuity:
Alison Thorne
Director:
Julien Temple
Director of Photography:
Oliver Stapleton
Editor:
Geoff Hogg
Thomas Schwalm
Andy Attenburrow
Music Arranger:
Alan Brewer
Music Director:
John Altman
Producer:
Martin Lewis
Corky Burger
Harvey Weinstein
Bob Weinstein
Roger Graef
John Cleese
Production Accountant:
Andy Birmingham
Sound:
Paul Carr
Sound Recordist:
Chris Munro
Writer:
Terence Dackombe
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.