A work in constant progress (and occasional regress).
Release Date:
May 11, 2019
Original Title:
A Feeling of Home
Alternate Titles:
Feels Like Home
Hearts of Texas
Genres:
Comedy | Romance | TV Movie
Production Companies:
Hallmark Media
Just To Be Clear Productions
Lighthouse Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
Web entrepreneur Abby hides her Texas roots to convince a backer she's from New England, a task complicated by a trip home and an unexpected reunion with Ryan, her high school sweetheart.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Mark Lunn
"B" Camera Operator:
Kenneth Lau
ADR Mixer:
Kevin Morales
Animal Coordinator:
Steve Woodley
Darcy Woodley
Art Direction:
Wenke Li
Assistant Accountant:
Aidan Heatley
Assistant Costume Designer:
Nej Wan
Assistant Editor:
Joseph K. Vance
Gloria Mercer
Assistant Hairstylist:
Nicole Lapointe
Mike Hawman
Assistant Location Manager:
Brendon Olsen
Assistant Makeup Artist:
Nataly Santos
Edina Schubert
Jessica De-Palma
Assistant Production Coordinator:
Ellen Curham
Assistant Set Decoration:
Kalyn Miles
Assistant Sound Editor:
Tony Rodney
Joselyn Hernandez
Best Boy Electric:
Patrick Shaw
Best Boy Grip:
Adam Zed
Boom Operator:
Jack MacDonald
Naan Spiess
Xavier Prat
Casting:
Jackie Lind
Penny Perry
Casting Assistant:
Jana Jacques Lind
Andrea Ware
Colorist:
Lorne Wright
Costume Designer:
Vladimir Markovich
Costume Set Supervisor:
Fabricio Borges
Costumer:
Chez Noel
Dialogue Editor:
David Green
Digital Imaging Technician:
Lorne Miess
Director:
Richard Gabai
Director of Photography:
Ron Stannett
Dolly Grip:
Jeremi Dupont-Mattar
Editor:
Simon Davidson
Executive Producer:
Joey Plager
Extras Casting:
Stephanie Boeke
First Assistant "A" Camera:
Barry Newton
First Assistant "B" Camera:
Tyler Meehan
First Assistant Director:
Dave T. Nall
Foley Artist:
Elaine Stef
Shane Shemko
Foley Editor:
Allyson Cole
Foley Mixer:
Kevin Morales
Gaffer:
Jesse D.E. Young
Generator Operator:
Michael Branion
Grip:
Bryceton Cote
Gene Karamesinis
Key Grip:
Curtis Chornoluk
Key Hair Stylist:
Elizabeth McLeod
Key Makeup Artist:
Jessica Crippen
Lead Set Dresser:
Roman Blomme
Line Producer:
Robyn Wiener
Location Manager:
David Angelski
Music:
Brian Chan
Caleb Chan
Music Coordinator:
Francesca Cammarata
Music Editor:
Caleb Chan
Brian Chan
Music Supervisor:
Valerie Biggin
Online Editor:
Chris Boettcher
Payroll Accountant:
Lori Maxwell
Rani Beazer
Post Production Coordinator:
Darlene Choo
Post Production Supervisor:
Jonathan Shore
Producer:
Shawn Williamson
Jamie Goehring
John MacCarthy
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Lori Welbourne
Production Design:
Sean Kirkby
Production Manager:
Robyn Wiener
Property Master:
David M. Robinson
Props:
Dana Bontempo
Script Supervisor:
Suze Dunbar
Second Assistant "A" Camera:
Simon Ho
Second Assistant "B" Camera:
Randy Meehan
Second Assistant Director:
Jüs Percy
Security Coordinator:
Sean Hanlin
Set Decoration:
Trevor Johnston
Set Dresser:
Dylan Ladd
Brandon Brackett
Jeremy Irla
Noemie Thirion
Ellen Johnston
Sound Designer:
Ken Cade
Sound Editor:
Kelly Cole
Sound Mixer:
Sam Beatch
Naan Spiess
Sound Re-Recording Mixer:
May Guimarães
Kevin Belen
Francisco Frial
Sound Supervisor:
Adam Sharpe
Special Effects Coordinator:
Dave Truscott
Special Effects Supervisor:
Jak Osmond
Steadicam Operator:
Kenneth Lau
Still Photographer:
Ricardo Hubbs
Stunt Coordinator:
Paul Wu
Landon Jackle
Supervising Producer:
Jonathan Shore
Third Assistant Director:
Cassy Hungerson
Transportation Captain:
Chris Pun
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Robin Brownwright
Visual Effects Supervisor:
Brett Keyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.