A work in constant progress (and occasional regress).
Release Date:
October 3, 2019
Original Title:
The Sound Is Innocent
Genres:
Documentary
Production Companies:
Cinémotif Films
Films de Force Majeure
Lyon Capitale TV
Punkchart films
RTVS
Soundsquare
Universal Production Partners
Česká televize
Production Countries:
Czech Republic | France | Slovakia
Ratings / Certifications:
SK: 12
Runtime: 68
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
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Assistant Camera:
Sophia Boyd
Miroslav Materna
Assistant Editor:
Lukáš Janičík
Jakub Podmanický
Assistant Production Design:
Zuzana Formánková
Camera Operator:
Kryštof Melka
Matěj Piňos
Co-Producer:
Jérôme Nunes
Jean-Laurent Csinidis
Katarína Tomková
Suzanne Gangloff
Helena Uldrichová
Ivan Ostrochovský
Didier Maïsto
Perrine Robert
Creative Producer:
Petr Kubica
Director:
Johana Ožvold
Director of Photography:
Šimon Dvořáček
Dramaturgy:
Miroslava Tomaníková
Ondrej Starinský
Martin Mareček
Alice Růžičková
Editor:
Zuzana Walter
Executive Producer:
Kateřina Kovářová
First Assistant Director:
Zuzana Walter
Focus Puller:
Urban Arsenjuk
Idea:
Johana Ožvold
Original Music Composer:
Martin Ožvold
Producer:
Kristýna Květová
Production Design:
Antonín Šilar
Production Manager:
Karol Molnár
Olivier Attebi
Soňa Horváthová
Audrey Bastide Banegas
Albert Malinovský
Lukáš Bucman
Ján Jurga
Property Master:
Boris Vrábel
Screenplay:
Lukáš Csiscely
Johana Ožvold
Script:
Julie Horvathová
Set Decoration:
Barbora Zelníčková
Sound:
Adam Voneš
Sound Assistant:
Samuel Štefanec
Štěpán Kříž
Jan Majstr
Sound Designer:
Martin Ožvold
Sound Mixer:
Viktor Ekrt
Steadicam Operator:
Rasťo Slezák
Unit Production Manager:
Barbora Foglová
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.