A work in constant progress (and occasional regress).
Release Date:
January 20, 1981
Original Title:
The Day After Trinity
Alternate Titles:
Az atombomba születése
Manden bag verdens første atombombe
The Day After Trinity: J. Robert Oppenheimer and the Atomic Bomb
Genres:
Documentary | History
Production Companies:
KTEH
Production Countries:
United States of America
Ratings / Certifications:
BE: 16 US: NR
Runtime: 89
This essential, Academy Award–nominated documentary offers an urgent warning from history about the dangers of nuclear warfare via the story of J. Robert Oppenheimer, the enigmatic physicist and all-around Renaissance man who led the Manhattan Project to develop the atomic bomb that America unleashed on Japan in the final days of World War II. Through extensive interviews and archival footage, THE DAY AFTER TRINITY traces Oppenheimer’s evolution, from architect of one of the most consequential endeavors of the twentieth century to an outspoken opponent of nuclear proliferation who came to deeply regret his role in ushering in the perils of the atomic age.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Camera:
Peter Schnall
Michael Chin
Associate Producer:
Martha Olson
Kathryn Witte
Courtney Flavin
Camera Operator:
Stephen Lighthill
Tom McDonough
David Espar
Director:
Jon Else
Editor:
Ralph Wikke
David Webb Peoples
Executive Producer:
Peter R. Baker
First Assistant Camera:
Paul Marbury
Location Manager:
Tom Stern
Music:
Martin Bresnick
Producer:
Jon Else
Sound:
Morning Slayter
Steve Longstreth
Samantha Heilwell
Sound Re-Recording Mixer:
Luther Greene
Will Harvey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.