A work in constant progress (and occasional regress).
Release Date:
August 14, 1959
Original Title:
Brevi amori a Palma di Majorca
Alternate Titles:
Brevi Amori a Palma di Maiorca
Genres:
Comedy | Romance
Production Companies:
Chamartín
Napoleon Film
Società Generale Cinematografica
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 98
Ugly, persistent, and (initially) annoying admirer pursues a beautiful actress. At first he is laughed of, especially by his ultra handsome rival, but with his firm insistence, and gradually emerging charm, he seduces the lady, to the total shocked surprise of his rival.
Assistant Art Director:
Antonio Visone
Assistant Camera:
Sandro Mancori
Luciano Carreño
Assistant Director:
Luis María Delgado
Moraldo Rossi
Assistant Makeup Artist:
Carlos Paradela
Assistant Production Manager:
José Manuel M. Herrero
Antonio Montoya
Assistant Set Decoration:
José María Moreno
Camera Operator:
Salvador Gil
Costume Design:
Miriam Di San Servolo
Director:
Giorgio Bianchi
Director of Photography:
Alvaro Mancori
Editor:
Adriana Novelli
Alfonso Santacana
Gaffer:
Michelle Fino
Hairstylist:
Fiamma Rocchetti
Esperanza Paradela
Key Grip:
Sesto Salino
Makeup Artist:
Julián Ruiz
Carlotta Walter
Original Music Composer:
Piero Piccioni
Producer:
Nino Crisman
Francesco Giaculli
Production Design:
Mario Bedoni
Franco Fontana
Antonio Simont
Production Manager:
Luigi Giacosi
Vicente Sempere
Production Secretary:
Bruna Polesinanti
Property Master:
Valentín Panero
Screenplay:
Roberto Gianviti
Script Supervisor:
Silvana Sonego
Carmen Salas
Set Decoration:
Franco Calfapietra
Sound Engineer:
Antonio Alonso Ciller
Eraldo Giordani
Still Photographer:
Antonio Luengo
Story:
Roberto Gianviti
Unit Production Manager:
Valentín Panero
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.