A work in constant progress (and occasional regress).
Release Date:
April 7, 1974
Original Title:
The Conversation
Alternate Titles:
Avlyttingen
Das Geheimgespräch
Keskustelu
Прислушкивање
对话
더 컨버세이션
컨버세이션
Genres:
Crime | Drama | Mystery
Production Companies:
The Coppola Company
The Directors Company
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: AL BR: 14 DE: 16 DK: 15 FI: K-16 FR: U GB: 12 GR: 13 IE: 12 MX: B-15 NL: 18|12 SE: 15 US: PG
Runtime: 114
A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.
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Administrative Assistant:
Mona Houghton
Assistant Camera:
James Glennon
Assistant Director:
Charles Myers
Assistant Editor:
Julie Zale
Associate Producer:
Mona Skager
Camera Operator:
Ralph Gerling
Thomas Laughridge
Casting:
Jennifer Shull
Co-Producer:
Fred Roos
Costume Design:
Aggie Guerard Rodgers
Creature Design:
Ted Moehnke
Director:
Francis Ford Coppola
Director of Photography:
Bill Butler
Haskell Wexler
Editor:
Richard Chew
Gaffer:
Joe Dunnigan
Doug Finn
Key Grip:
Keith Mason
Location Coordinator:
Alex Tavoularis
Original Music Composer:
David Shire
Producer:
Francis Ford Coppola
Production Design:
Dean Tavoularis
Production Manager:
Clark L. Paylow
Property Master:
Ted Moehnke
Script Supervisor:
Nancy Hopton
Set Decoration:
Doug von Koss
Sound Designer:
Walter Murch
Sound Editor:
Pete Horner
Sound Effects Editor:
Howard Beals
Sound Re-Recording Mixer:
Walter Murch
Sound Recordist:
Nathan Boxer
Michael Evje
Art Rochester
Stunts:
Buddy Joe Hooker
Title Designer:
Wayne Fitzgerald
Writer:
Francis Ford Coppola
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.