A work in constant progress (and occasional regress).
Release Date:
July 14, 2021
Original Title:
Fear Street: 1666
Alternate Titles:
Fear Street
Fear Street 3
Fear Street Part 3 - 1966
Fear Street Part 3: 1666
Fear Street Part Three: 1666
Fear Street Parte 3 - 1966
Fear Street Partie 3 : 1666
Fear Street: 1994 - Part 2
Fear Street: Part Three - 1666
La calle del terror - Parte 3: 1666
Rua do Medo 1666 Parte 3
Ulica Strachu – część 3: 1666
شارع الخوف - جزء 3: 1666
ถนนอาถรรพ์ ภาค 3: 1666
恐惧街 3:1666
恐惧街3:1666
恐懼大街3
恐懼大街3:1666
피어 스트리트 3
Genres:
Horror | Mystery
Production Companies:
Chernin Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 18 DE: 16 ES: 18 GB: 18 GR: 16+ HU: 16 IE: 18 KR: 18 PL: 16 PT: M/16 RO: 18 SG: R21 US: R
Runtime: 115
In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it's up to teenagers in 1994 to finally put an end to their town's curse, before it's too late.
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ADR Editor:
Jason Dotts
ADR Mixer:
Scott Cannizzaro
Art Direction:
Sean Brennan
Associate Producer:
Heath M. Howard
Book:
R.L. Stine
Boom Operator:
Allan Cox
CG Supervisor:
Jon Balcome
Casting:
Carmen Cuba
Casting Assistant:
Corey Pinchoff
Co-Producer:
Doug Torres
Jeffrey Harlacker
Costume Design:
Amanda Ford
Dialogue Editor:
Kristen Hirlinger
Director:
Leigh Janiak
Director of Photography:
Caleb Heymann
Editor:
Rachel Goodlett Katz
Executive Producer:
Leigh Janiak
Jane Stine
Yvonne M. Bernard
Timothy M. Bourne
Joan Waricha
First Assistant Director:
Doug Torres
Foley Artist:
Jason Charbonneau
Foley Editor:
Russell Topal
Foley Mixer:
Randy Wilson
Key Makeup Artist:
Amanda Bianchi
Makeup Artist:
Jessica Craig
Makeup Department Head:
Ellen Arden
Makeup Effects Designer:
Christopher Allen Nelson
Music Supervisor:
Nora Felder
Lindsay Wolfington
Original Music Composer:
Anna Drubich
Marco Beltrami
Producer:
David Ready
Jenno Topping
Kori Adelson
Peter Chernin
Production Design:
Scott Kuzio
Production Sound Mixer:
Steve C. Aaron
Second Assistant Director:
Megan Schmidt
Second Second Assistant Director:
Katye Kalivoda
Set Costumer:
Rashante Lee-Seaborn
Troy Nicely
Set Decoration:
Jess Royal
Set Decoration Buyer:
Mallorie Coleman
Set Designer:
John Thigpen
John Moredock
Set Dresser:
Nick Forman
Clarissa Mobley
Sound Effects Editor:
Matthew Thomas Hall
Russell Topal
Paul B. Knox
Sound Re-Recording Mixer:
Tony Lamberti
Special Effects Coordinator:
Jeffery D. Woodrel
Special Effects Key Makeup Artist:
Mark James Ross
LuAndra Whitehurst
Special Effects Makeup Artist:
Christopher Allen Nelson
Special Effects Technician:
Justyn David Miller
Nathen Cavins
Stunt Coordinator:
Alan D'Antoni
Stunt Double:
Isabelle Fretheim
Supervising Dialogue Editor:
Jason Dotts
Supervising Sound Editor:
Trevor Gates
Unit Production Manager:
Timothy M. Bourne
VFX Supervisor:
Paul Graff
Visual Effects:
Mohit Pal
Geoffrey Basquin
Visual Effects Coordinator:
Tiffany Herzog
Suzanne C. Robertson
Alexa Furr
Louise Corry
Visual Effects Editor:
Zack Beshears
Visual Effects Producer:
Cynthia Mourou
Wes Dorough
Christina Graff
Beth Howe
Thomas F. Ford IV
Visual Effects Supervisor:
Jiwoong Kim
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.