A work in constant progress (and occasional regress).
Release Date:
April 5, 2019
Original Title:
Punto de Placer
Genres:
Drama | Music
Production Companies:
Ovejas Studios
Production Countries:
Peru
Ratings / Certifications:
N/A
Runtime: 15
Patricia Roncal vs Patricia Roncal
Art Department Assistant:
GRECIA OLIVARES
Art Department Coordinator:
Gina Venturi
Art Direction:
Majo Flores
Background Designer:
Majo Flores
Best Boy Grip:
Ricardo Bustamante
Boom Operator:
Jerico Teran
Camera Production Assistant:
Valentino Rodriguez
Carpenter:
Gina Venturi
Casting:
Germán Coronel Lanatta
Data Management Technician:
Carmen Calderon
Director:
Germán Coronel Lanatta
Director of Photography:
Steffano Oneto
Draughtsman:
GRECIA OLIVARES
Felipe Simbron
Majo Flores
Editor:
Steffano Oneto
Germán Coronel Lanatta
Executive Producer:
Germán Coronel Lanatta
First Assistant Art Direction:
Adriana Hidalgo
First Assistant Camera:
Carmen Calderon
First Assistant Director:
Alu M
Lighting Director:
Laura Bazalar
Location Assistant:
Ximena Small
Location Coordinator:
Germán Coronel Lanatta
Location Manager:
Carla Trujillo
Location Scout:
Majo Flores
Producer's Assistant:
Carla Trujillo
Niccole Pullch
Production Assistant:
Lucia D
Carla Campos
Production Design:
Majo Flores
Production Director:
Ximena Small
Production Intern:
Brad Alvarez
Script:
Begonia Nuñez T
Script Supervisor:
Begonia Nuñez T
Second Assistant Camera:
Alexander la Madrid
Second Assistant Director:
Luigi Espinoza
Set Buyer:
Gina Venturi
Set Dresser:
Adriana Hidalgo
Sound Designer:
Paolo Cotrina
Sound Director:
Paolo Cotrina
Sound Editor:
Paolo Cotrina
Storyboard Designer:
Majo Flores
Third Assistant Director:
Natalie Tiburcio
Writer:
Germán Coronel Lanatta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.