A work in constant progress (and occasional regress).
Release Date:
August 4, 2019
Original Title:
Aurora Teagarden Mysteries: A Game of Cat and Mouse
Alternate Titles:
Aurora Teagarden Mysteries A Game of Cat and Mouse
Genres:
Crime | Mystery | TV Movie
Production Companies:
Head First Productions
Lighthouse Pictures
Muse Entertainment
iCandy Production
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: PG
Runtime: 83
Someone begins taunting Aurora Teagarden with cryptic clues left at crime scenes, so the librarian-turned-crime buff attempts to figure out who is behind the creepy “game.” But when the people closest to Aurora become targets, the game takes on a much more dangerous edge as it points to a planned murder. The 10th installment in Aurora Teagarden Mysteries.
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"A" Camera Operator:
Collin Morrison
"B" Camera Operator:
Leonardo Harim
ADR Mixer:
Adam Sharpe
Art Direction:
Julia Llanos
Assistant Accountant:
Aidan Heatley
Assistant Costume Designer:
Michael George
Assistant Editor:
Shaun Lang
Assistant Location Manager:
Warren Dean Fulton
Brent McCorkle
Assistant Makeup Artist:
Amy St. Jean-Anzinger
Assistant Production Coordinator:
Sean Blatchford
Assistant Sound Editor:
Tony Rodney
Darryl Isaacs
Joselyn Hernandez
Background Casting Director:
Stephanie Boeke
Laurie Pavon Solis
Best Boy Electric:
Kaio Kathriner
Best Boy Grip:
Melana Kimoto
Boom Operator:
Jeremy Fornier-Hanlon
Casting:
Candice Elzinga
Casting Assistant:
Martina Smyth
Colorist:
Claudio Sepulveda
Costume Design:
Barbara Gregusova
Costume Set Supervisor:
Martin Gregus
Hannah-Rose Taggart
Costume Supervisor:
Martin Gregus
Costumer:
Martin Gregus Jr.
Craft Service:
Jeanne Vik
Dialogue Editor:
David Green
Digital Imaging Technician:
Refah Seyed Mahmoud
Director:
Mark Jean
Director of Photography:
Pieter Stathis
Dolly Grip:
Steve Mieszkalski
Editor:
Tony Dean Smith
Executive Producer:
Candace Cameron Bure
Michael Prupas
Charlaine Harris
Joel S. Rice
Shawn Williamson
Jim Head
First Assistant "A" Camera:
Jessica Lo
First Assistant Director:
John Mein
First Assistant Hairstylist:
Jeanne Morneau
Foley Artist:
Shane Shemko
Elaine Stef
Foley Mixer:
Kevin Morales
Francisco Frial
Gaffer:
Trevor D. Gray
Generator Operator:
Michael Pearson
Grip:
Oliver Wynden
Ethan Attrell
Thor Kreppenhofer
Corey Tremblay
Hair Department Head:
Amy Lamon
Key Grip:
Mike Debarros
Key Makeup Artist:
Annick Chartier
Lead Set Dresser:
Shawn Major
Location Manager:
Danny McWilliams
Music Coordinator:
Francesca Cammarata
Music Editor:
Dave Stephens
Music Supervisor:
Valerie Biggin
Novel:
Charlaine Harris
Online Editor:
Joy Lin
Original Music Composer:
Jeff Tymoschuk
Post Production Supervisor:
Jonathan Shore
Jadene Stojak Babcock
Gary Porter
Producer:
Jamie Goehring
Trevor McWhinney
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Joey Setter
Production Design:
Rosaura Lezama
Production Manager:
Paula S. Kyan
Property Master:
Daniel Cipilinsky
Props:
Jo Archer
Script Supervisor:
Joan Hermoso
Second Assistant "A" Camera:
Silas Egan
Second Assistant "B" Camera:
Sam Barringer
Second Assistant Director:
Mariana Garcia Arteaga
Security Coordinator:
Sean Hanlin
Set Decoration:
Ginna Scotto
Set Dresser:
Ronald Lin
Deniz Lonte
Jake Kowalski
Sound Designer:
Bryson Dodwell
Sound Editor:
Jay Cheetham
Sound Mixer:
John Boyle
Sound Supervisor:
Sandra Portman
Steadicam Operator:
Collin Morrison
Still Photographer:
Ricardo Hubbs
Stunt Coordinator:
Paul Wu
Stunt Double:
Breanna Watkins
Louise Hradsky
Third Assistant Director:
Kendall Gawryluk
Transportation Captain:
Tsering Rongae
Transportation Coordinator:
Kam Dhesi
Truck Costumer:
Elena Gregusova
Visual Effects Supervisor:
Brett Keyes
Writer:
Teena Booth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.