A work in constant progress (and occasional regress).
Release Date:
January 1, 1979
Original Title:
Moving Stillness: Mount Rainier 1979
Ratings / Certifications:
US: NR
Moving Stillness: Mount Rainier 1979, by incorporating a large body of water, with video and sound recordings of nature, was pioneering in its use of mixed media. It is a meditation on the fragility of nature and our perception of its changes over time. A screen is suspended above a large shallow pool of water. A projector with three separate beams (one each for red, green and blue light) sends an image of Mount Rainier to the surface of the water that then bounces up to reach the rear projection screen. At periodic intervals, the water’s surface is manually disturbed causing the three beams of color to separate, until finally becoming an unrecognizable pattern of form and color. Slowly the water settles, to once more form a coherent image after the surface vibrations subside.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.