A work in constant progress (and occasional regress).
Featuring:
Jeremy Irons, Miguel Falomir, Andrés Úbeda de los Cobos
Written by:
Sabina Fedeli
Didi Gnocchi
Valeria Parisi
Directed by:
Valeria Parisi
Release Date:
April 15, 2019
Original Title:
Il Museo del Prado: la corte delle meraviglie
Alternate Titles:
A Prado Múzeum – A csodák gyüjteménye
Museo del Prado: una colección de maravillas
The Prado Museum
Genres:
Documentary | History
Production Companies:
3D Produzioni
A Contracorriente Films
Museo Nacional del Prado
Nexo Digital
Sky Arte
Production Countries:
Italy | Spain
Ratings / Certifications:
CA: 14A HU: 6 RU: 16+
Runtime: 89
Actor Jeremy Irons embarks on an epic journey through the halls of the Prado Museum in Madrid, Spain, two hundred years after its inauguration, along corridors where thousands of masterpieces of all time tell the lives of rulers and common people, and tales about times of war and madness and times of peace and happiness; because, as Goya said, imagination, the mother of the arts, produces impossible monsters, but also unspeakable wonders.
To celebrate its 200th anniversary after its foundation in 19th November 1819, legendary movie star Jeremy Irons turns in visitor and narrator of the Spanish The Prado Museum located in City of Madrid (Madrid, center to Spain and country's capital) to walk by the different halls through of the more 1700 works and 7000 art treasures collected inside it, explaining the origins of the museum at early 19th century, that involved some kings and queens of Spain across the time, as well as some of the most important painters of history as Tiziano, El Greco, Velázquez, Rubens, Bruegel, Mantegna, Goya and Bosch. Named originally Museo Real de Pinturas and created by an aging King Carlos V of Spain and I of Germany in the attempt to make a legacy for all the country, Carlos' descendants became at the same time in kings and art dealers, collecting the last six centuries of Spain adding new pictures from another painters as themselves portrayed for the immortality in impressive pictures as The Meninas, preserving paint styles as Renaissance and Baroque. Cradle of universal art with about 3 million visitors per year, The Prado Museum is recognized as one of the most important museums in the entire world, turning it in a treasure of incalculable value and heritage of culture for all human kind (rulers, painters, artists, architects, collectors, engineers, curators, physics, intellectuals, historians...), that it tells the story not only a country, but a continent. As Goya said, "when abandoned by reason, imagination produces impossible monsters; united with her, she is the mother of the arts and the origin of their wonders."
Art Direction:
Michele Mally
Color Grading:
Anna Visigalli
Creative Producer:
Didi Gnocchi
Director:
Valeria Parisi
Director of Photography:
Marco Alfieri
Mateusz Stolecki
Editor:
Valentina Ghilotti
Executive Producer:
Cristina Alovisetti
Gloria Bogi
Hairstylist:
María Angélica de Godoy
Makeup Artist:
María Angélica de Godoy
Producer:
Didi Gnocchi
Franco Di Sarro
Sound Designer:
Paolo Piccardo
Sound Editor:
Giacomo Rende
Sound Mixer:
Paolo Piccardo
Writer:
Sabina Fedeli
Valeria Parisi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.