A work in constant progress (and occasional regress).
Release Date:
November 8, 2019
Original Title:
Ventajas de viajar en tren
Alternate Titles:
Les Avantages de voyager en train
Výhody cestování vlakem
列車旅行のすすめ
Genres:
Drama | Thriller
Production Companies:
Castelao Pictures
EiTB
Logical Pictures
Morena Films
Movistar+
Señor & Señora
TVE
Production Countries:
France | Spain
Ratings / Certifications:
DE: 16 ES: 18 RU: 18+
Runtime: 104
After interning her insane husband in a remote psychiatric hospital, book editor Helga Pato returns home by train, where she meets a mysterious man who identifies himself as a psychiatrist.
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Assistant Director:
Antton Zabala
Casting Director:
Déborah Borque
Co-Producer:
Frédéric Fiore
Tim Belda
Color Grading:
Paulino F. Ibañez
Costume Designer:
Virginie Alba
Director:
Aritz Moreno
Director of Photography:
Javier Agirre Erauso
Editor:
Raúl López
Executive Producer:
Pilar Benito
Eric Tavitian
Foley Artist:
Grégory Vincent
Gaffer:
Álex Abajo
Hair Department Head:
Olga Cruz
Key Grip:
Iñigo Bach
Key Makeup Artist:
Cecilia Escot Mangas
Location Manager:
Itziar Otxoa
Makeup Department Head:
Karmele Soler
Novel:
Antonio Orejudo
Original Music Composer:
Cristóbal Tapia de Veer
Post Production Supervisor:
Elena Alcolea
Producer:
Juan Gordon
Leire Apellániz
Merry Colomer
Production Design:
Mikel Serrano
Production Director:
Alicia Tellería
Property Master:
Ane Arteaga
Screenplay:
Javier Gullón
Script Supervisor:
Ane Muñoz
Second Assistant Director:
Zaira Zanguitu
Sound Editor:
Carla Silván
Sound Mixer:
Laure Arto
Sound Recordist:
Alazne Ameztoy
Still Photographer:
David Herranz
Stunt Double:
Gaizka Egilegor
Miriam Larragay
Thanks:
Antonio Orejudo
Visual Effects Coordinator:
Marine Ligouzat
Visual Effects Supervisor:
Céline Goriot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.