A Brush with Love (2019) [G]

Release Date:
March 30, 2019

Original Title:
A Brush with Love

Genres:
Romance | TV Movie

Production Companies:
Incendo Productions
Two 4 The Money Media

Production Countries:
Canada

Ratings / Certifications:
US: G 

Runtime: 90

As she considers giving up on her artistic dreams, Jamie paints a vision board that brings her success and love—only to discover that the mystery man in her painting isn't who she thinks.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Chris Harris

"B" Camera Operator:
Brad Hodson

Art Direction:
Gillian Van Santen

Assistant Costume Designer:
Martin Spencer

Assistant Editor:
Taylor Frey

Assistant Hairstylist:
Mary Renvall

Assistant Location Manager:
Juraj Slivarich

Assistant Makeup Artist:
Lindsay Pilkey

Assistant Production Coordinator:
Sophie Lewis
Amelia Ross

Assistant Set Decoration:
Melody Wilson

Assistant Sound Editor:
Sean Szutka

Best Boy Electric:
Patrick Shaw

Best Boy Grip:
Bryceton Cote

Boom Operator:
Tony Poulsen

Casting Assistant:
Jana Jacques Lind
Andrea Ware

Casting Director:
Jackie Lind

Colorist:
Lionel Barton

Costume Design:
Tanya Lipke

Costume Set Supervisor:
Karyna Barros

Costumer:
Abigail White
Lachlan Wells

Craft Service:
Lisa Ahlers

Dialogue Editor:
Roger Morris

Digital Imaging Technician:
Alex Lutzmann

Director:
Peter DeLuise

Director of Photography:
Christopher Charles Kempinski

Dolly Grip:
Morgan Schmidt-Feng
Damon Kneeshaw
Slatie Chu

Editor:
Rick Martin

Executive Producer:
Ryan M. Murphy
Kim Arnott
Antonio Cupo
Ivan Hayden
Michael Shepard
Steven Stabler
Michael Dennis O'Brien
Suzanne Arnott

Extras Casting:
Sara Brown

Extras Casting Assistant:
Rachel Klinosky
Jacki Gunn

First Assistant "A" Camera:
Christian Cummins

First Assistant "B" Camera:
Devin Coppen

First Assistant Director:
Paul Turner

First Assistant Editor:
Jason King

Foley Artist:
Don Harrison
Ian Mackie

Foley Recording Engineer:
Rick Senechal

Gaffer:
Jesse D.E. Young

Generator Operator:
Craig Forsberg

Grip:
Blake Mattson
Alex Simon

Key Grip:
Ben Purych

Key Hair Stylist:
Shelly Jensen

Key Makeup Artist:
Ashley Pilkey

Lead Set Dresser:
Eric Carbery

Location Manager:
Karen Zajac

Music:
Chris Ainscough

Music Coordinator:
Francesca Cammarata

Music Supervisor:
Valerie Biggin

Online Editor:
Wilf Pascuas
Chris Boettcher

Post Production Coordinator:
Saskia Werner

Producer:
John Prince

Production Accountant:
Megan Turnbull

Production Coordinator:
Rhona Williscroft

Production Design:
Paul McCulloch

Production Manager:
John Prince

Production Sound Mixer:
James Schoening

Property Master:
Charlie Whiteway

Props:
Tran Lien
Mike Hawman

Script Supervisor:
Sarah Ziolkowski

Second Assistant "A" Camera:
Bobby Demian

Second Assistant "B" Camera:
Kalvin Warbus

Second Assistant Director:
Jason Rody

Security Coordinator:
Sean Hanlin

Set Decorating Coordinator:
Dwayne Campbell

Set Decoration:
Donna McBride

Set Dresser:
Jordan Cassidy
Sunny Mohajer-Taleghani
Nina Sky Robertson
Evan Jones
Tina Mularczyk
Curtis Goddy
Britany Lawrence

Sound Designer:
Ryan Thompson

Sound Re-Recording Mixer:
Joe Watts
Craig George

Still Photographer:
Bettina Strauss

Supervising Producer:
Dawn Knight

Third Assistant Director:
Kendall Gawryluk

Transportation Captain:
Derek Keillor

Transportation Coordinator:
Dean Fitzpatrick

Truck Costumer:
Cece Bright

Writer:
Joie Botkin
Katherine S. Chang
Robin Karfo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.