A work in constant progress (and occasional regress).
Release Date:
May 1, 2013
Original Title:
Insistence
Ratings / Certifications:
N/A
Runtime: 16
"My desire is to make you realize that art is not dead, can never die while we exist, but is constantly, through our living in the making." In the next instance a seemingly endless pile of postcards made from portraits are stacked one atop another, from the blues singer Gladys Bentley to the collector Katherine S. Dreier to the performer Josephine Baker. The video, Insistence (2013), created by Andrea Geyer and recently acquired by MoMA, reveals a massive network of women who laid out the cultural landscape of modernism. This network is exposed by weaving together stories about the period’s unsung heroes: women. These stories highlight the everyday lived experiences of the women featured on the postcards, and their commitment to the arts at large. The continuous stacking of their portraits alludes to the fact that their influence is far-reaching, underrepresented, and an ongoing process that deserves further consideration.
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.