A work in constant progress (and occasional regress).
Release Date:
March 23, 2019
Original Title:
The Killer Downstairs
Genres:
TV Movie | Thriller
Production Companies:
Johnson Production Group
Lifetime
Production Countries:
Canada
Ratings / Certifications:
US: PG
Runtime: 89
Alison Peters has always done everything right but finds her life in turmoil as a lawyer stuck working at a grocery store job. Desperate for cash, she rents her basement on MiCasaSuCasa.com and gets a response from James Brewer who explains that he and his wife have recently split. At work, Alison and her friend Sarah, deal with a boss, Brandon, who's been harassing Alison. When Brandon is murdered, the police are suspicious of her. As romance starts to bloom between Alison and James, more people in her life begin disappearing.
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ADR Mixer:
Dave Goetter
Assistant Set Decoration:
Natália Peixoto
Boom Operator:
David Daoud
Casting:
Judy Lee
Colorist:
Seán Travers
Costume Design:
Stacey Bradder
Dialogue Editor:
Aaron Olson
Director:
Tony Dean Smith
Director of Photography:
Mike Kam
Editor:
Jason Nielsen
Executive Producer:
Timothy O. Johnson
First Assistant "A" Camera:
Laurent Danis
First Assistant Camera:
Titouan Fournier
First Assistant Director:
Troy Scott
Foley Editor:
David Chen
Generator Operator:
Anna Christina Waters
Hair Department Head:
Beverly Hoy
Key Grip:
Mitchell Rowland
Makeup Department Head:
Elizabeth McLeod
Original Music Composer:
Kevin Blumenfeld
Andy Forsberg
Producer:
Oliver De Caigny
Script Supervisor:
Robyn Ludwig
Second Assistant Camera:
Tyler Olchowy
Set Decoration:
Tim Lanham
Sound Effects Editor:
Gregorio Gómez
Sound Mixer:
Christopher O'Brien
Stunt Coordinator:
Chad Sayn
Writer:
Adam Hussein
Tony Dean Smith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.