A work in constant progress (and occasional regress).
Release Date:
April 1, 2011
Original Title:
Boris - Il film
Alternate Titles:
Boris - A film
Boris: The Film
Genres:
Comedy
Production Companies:
RAI Cinema
Sky Cinema
Wildside
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 108
A director and his crew attempt to make the transition from the small to the big screen.
Administration:
Hanna Buhl
Boom Operator:
Federica Ripani
Camera Operator:
Timoty Aliprandi
Casting:
Stefania Rodà
Choreographer:
Azzurra Tassa
Color Designer:
Gabriele Peloso
Costume Design:
Fiorenza Cipollone
Delegated Producer:
Karin Annell
Director:
Giacomo Ciarrapico
Mattia Torre
Luca Vendruscolo
Director of Photography:
Mauro Marchetti
Editor:
Massimiliano Feresin
Executive Producer:
Olivia Sleiter
First Assistant Camera:
Alessio Ciaffardoni
First Assistant Director:
Giuseppe Bonito
Foley:
Marco Ciorba
Hairstylist:
Michela Maucione
Location Manager:
Dario Kubik
Veronica D'Aloisi
Music:
Elena Zingali
Original Music Composer:
Giuliano Taviani
Carmelo Travia
Post Production Supervisor:
Franco Casellato
Producer:
Lorenzo Mieli
Mario Gianani
Production Coordinator:
Fulvio Rossi
Production Design:
Michele Modafferi
Production Manager:
Cristiano Di Meo
Andrea Tavani
Production Office Assistant:
Michelangelo Stancarone
Jessica Cavallo
Filippo Vergassola
Score Engineer:
Goffredo Gibellini
Script Supervisor:
Cinzia Rocco
Second Assistant Director:
Emanuele Tammaro
Sound:
Filippo Porcari
Sound Editor:
Andrea Caucci
Sound Effects Editor:
Saverio Lancia
Paolo Pucci
Special Effects:
Massimo Di Palma
Special Effects Coordinator:
Franco Galiano
Tiberio Angeloni
Stunt Coordinator:
Ottaviano Dell'Acqua
Unit Manager:
Elisabetta Delfini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.