A work in constant progress (and occasional regress).
Release Date:
March 30, 2019
Original Title:
Love to the Rescue
Alternate Titles:
Lost and Found
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 84
Two single parents come head to head when their kids want to adopt the same dog. Agreeing to co-foster, free-spirited Kate and type-A Eric must work together to find the dog's forever home.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Cooper Dunn
"B" Camera Operator:
Christopher Lymberis
ADR Mixer:
John St. Denis
Animal Wrangler:
Tracy Sargent
Jennifer Gagne
Renee Derossett
Art Department Coordinator:
Diana Ardila Gonzalez
Assistant Editor:
Alex Lamb
Assistant Location Manager:
Samantha Keener
Assistant Production Coordinator:
Joselyn Lamas
Assistant Property Master:
Kevin Bennett Williams
Best Boy Electric:
Josh Oliver
Best Boy Grip:
T.J. Scheidecker
Boom Operator:
Christopher Danger Mendrala
Casting:
Chad Darnell
Co-Executive Producer:
Anthony Fankhauser
Costume Designer:
Theresa Morales
Costume Supervisor:
Lauren Britt
Costumer:
Tabitha Sexton
Danielle Bessillieu
Creative Producer:
Brett Takeshita
Ashley Squires
Dialogue Editor:
Matt Melberg
Director:
Steven R. Monroe
Director of Photography:
Eric J. Goldstein
Dolly Grip:
Benny Smyth
Editor:
Bill Lynch
Electrician:
Ryan Staten
Zachary Bennet
Executive Producer:
Stan Spry
Eric Scott Woods
First Assistant "A" Camera:
Michael Klimchak
First Assistant "B" Camera:
Richard Lacy
First Assistant Director:
Vincent G. Gonzales
Vanessa Hickey
Foley Artist:
Troy Hermes
Gaffer:
John C. Ferguson
Generator Operator:
Danny Brazen
Greensman:
Glen R. D'Angelo
Grip:
Dylan Genis
W. Dave Justice
Anthony Damazio
Hair Department Head:
Joseph Negrete
Key Costumer:
Brittany Gilliam
Key Grip:
Adrian Neri
Key Hair Stylist:
Brynn Berg
Shaquanta Green
Key Makeup Artist:
Katy DiMondi
Leadman:
Patrick Welty
Line Producer:
Anthony Fankhauser
Location Coordinator:
Breigh Ard
Location Manager:
Cayman Eby
Makeup Department Head:
Jessica Craig
Music Supervisor:
Lexy Brewer
Online Editor:
Ron Heidt
Original Music Composer:
Matthew Rogers
Payroll Accountant:
Lindsey M. Page
Post Producer:
Melinda Wells McCabe
Post Production Coordinator:
Jessa Gordon
Post Production Supervisor:
Melinda Wells McCabe
Post-Production Manager:
Wei Wilson
Production Accountant:
Tamara Henderson
Production Coordinator:
Emily Croke
Production Design:
Parker Beck
Property Master:
Angie Woodard
Props:
Sarah Docar
Script Supervisor:
Jana Davis
Second Assistant "A" Camera:
Wil Hughes
Second Assistant "B" Camera:
Kane Pearson
Second Assistant Director:
Wendy Geary
Elyse Archie
Second Second Assistant Director:
Daniel Helms
Set Dresser:
Oran Domingue
Tony Boat
Margot Foster
W.H. Robyn
Brian Brophy
Tyrone Lee
Sound Designer:
Chris Basta
Sound Mixer:
MacAulay Flynt
Sound Re-Recording Mixer:
Chris Basta
Steadicam Operator:
Christopher Lymberis
Still Photographer:
Seth F. Johnson
Studio Teacher:
Mary Ann Lynah
Transportation Co-Captain:
Leroy Williamson
Transportation Coordinator:
Timothy Stephens
Unit Production Manager:
David Swinburne
Visual Effects Producer:
Scott Wheeler
Writer:
Sarah Montana
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.