A work in constant progress (and occasional regress).
Release Date:
July 1, 2020
Original Title:
Lingua Franca
Alternate Titles:
Brooklyn Secret
Genres:
Drama
Production Companies:
7107 Entertainment
Production Countries:
Philippines | United States of America
Ratings / Certifications:
US: NR
Runtime: 95
Olivia, an undocumented Filipina immigrant paranoid about deportation, works as a caregiver to a Russian-Jewish grandmother in New York. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.
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Art Direction:
Sadie Marchese-Moore
Boom Operator:
Barbaros Ali Kaynak
Casting:
Bess Fifer
Co-Producer:
Cecilia Mejia
Costume Design:
Kate Fry
Clint Ramos
Director:
Isabel Sandoval
Director of Photography:
Isaac Banks
Editor:
Isabel Sandoval
Executive Producer:
R.S. Francisco
Vincent R. Nebrida
Fernando Ortigas
Samuel S. Verzosa
Sarah Brennan Kolb
Gigi Dement
Nicole Cosgrove
E.A. Rocha
Romulo Aromin Jr.
Fight Choreographer:
Earl Weathers
First Assistant Director:
Dax Stringer
Gaffer:
Tyler Harmon-Townsend
Hair Department Head:
Lauren Citera
Makeup Department Head:
Lauren Citera
Original Music Composer:
Teresa Barrozo
Producer:
Darlene Malimas
Jhett Tolentino
Jerome Kerkman
Isabel Sandoval
Carlo Velayo
Production Design:
Maxwell Nalevansky
Clint Ramos
Script Supervisor:
Devin Smith
Second Assistant Director:
Brittney Elyse Vila
Set Decoration:
Sadie Marchese-Moore
Set Dresser:
Chazz Foggie
Sound Designer:
Albert Michael Idioma
Sound Mixer:
Barbaros Ali Kaynak
Steadicam Operator:
Eric J. Goldstein
Stunt Coordinator:
Luciano Acuna Jr.
Writer:
Isabel Sandoval
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.