A work in constant progress (and occasional regress).
Release Date:
June 1, 2024
Original Title:
All Inclusive
Genres:
Comedy | Documentary
Production Companies:
Kino Świat
La Prod
Nowhere
Production Countries:
Morocco | Poland
Ratings / Certifications:
N/A
Runtime: 108
"All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.
Accountant:
Dorota Altewęgier
Assistant Director:
Anne-Sophie Puget
Assistant Production Manager:
Badre Naguir
Mabrouk El Hafiani
Yassine Oulhrach
Camera Operator:
Michał Englert
Casting:
Dawid Nickel
Redouane Miftah
Mounir Saguia
Casting Associate:
Izabela Szpilka
Pawel Mlak
Costume Designer:
Hassan Ghazouany
Data Wrangler:
Mateusz Ciok
Dialogue Editor:
Aleksandra Dzioba
Ewa Mazurkiewicz
Digital Intermediate Producer:
Jędrzej Sabliński
Director:
Michał Englert
Małgorzata Szumowska
Director of Photography:
Michał Englert
Editor:
Jacek Drosio
Executive Producer:
Inga Kruk
Foley Artist:
Aleksandra Jakubowicz
Foley Editor:
Patrycja Klimczuk
Foley Supervisor:
Jacek Wiśniewski
Line Producer:
Dagmara Bagnecka
Makeup Artist:
Hiba Boukili
Music Consultant:
Patrycja Bukowska
Jakub Kaczmarek
Dominika Orszulak
Musician:
Paweł Stankiewicz
Original Music Composer:
Paweł Mykietyn
Post Production Coordinator:
Martyna Korablewska-Szpetmańska
Producer:
Małgorzata Szumowska
Michał Englert
Jacek Drosio
Lamia Chraibi
Production Manager:
Marta Lewandowska
Reda Nouiga
Script:
Dawid Nickel
Sound:
Marcin Jachyra
Kacper Habisiak
Sound Director:
Kacper Habisiak
Sound Effects Editor:
Aleksandra Brzykcy
Filip Krzyżykowski
Title Designer:
Piotr Król
Translator:
Adam Walicki
Artur Zapałowski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.