A work in constant progress (and occasional regress).
Release Date:
September 15, 2011
Original Title:
Johnny English Reborn
Alternate Titles:
Johnny English 2
Johnny English Reaktywacja
Điệp Viên Không Không Thấy 2
ג'וני אינגליש 2
特務戇J之救國大業
쟈니 잉글리쉬 2: 네버다이
쟈니 잉글리쉬2: 네버다이
Genres:
Action | Comedy | Crime
Production Companies:
Working Title Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: PG CA: PG CZ: 15+ DE: 6 DK: 11 ES: A FI: K-11 FR: U GB: PG GR: PG HU: 12 IE: PG IL: הותר לכל JP: G KR: All LT: N-13 MX: B NL: 6 NZ: PG PL: 16 PT: M/14 RO: 15 SE: 11 TH: น 13+ US: PG
Runtime: 101
The most prominent heads of state in the world begin gathering for a conference that could have a major impact on global politics. When MI-7 receives word that the Chinese premier has become the target of some high-powered killers, it falls on Johnny English to save the day. Armed with the latest high-tech weaponry and gadgets that would make even James Bond jealous, the once-disgraced agent uncovers evidence of a massive conspiracy involving some of the world's most powerful organisations, and vows to redeem his tarnished reputation by stopping the killers before they can strike.
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"A" Camera Operator:
Zac Nicholson
"B" Camera Operator:
Luke Redgrave
Aerial Camera Technician:
Oliver Ward
Aerial Director of Photography:
Jeremy Braben
Steven Desbrow
Art Direction:
Paul Laugier
Mike Stallion
Assistant Director:
Timur Karamolla
Elle Crocker
Sekani Doram
Camera Operator:
Simon Finney
Camera Trainee:
Sebastian Cort
Casting:
Lucy Bevan
Characters:
Neal Purvis
Robert Wade
Co-Producer:
Ronaldo Vasconcellos
Doris Tse
Costume Designer:
Beatrix Aruna Pasztor
Director:
Oliver Parker
Director of Photography:
Danny Cohen
Editor:
Guy Bensley
Executive Producer:
William Davies
Debra Hayward
Liza Chasin
First Assistant "A" Camera:
Peter Byrne
Oliver Loncraine
First Assistant Camera:
René Adefarasin
Leigh Gold
First Assistant Director:
Andrew McEwan
Ben Howarth
Alex Oakley
Gareth Tandy
Foley Artist:
Jack Stew
Foley Editor:
Hugo Adams
Line Producer:
Raphaël Benoliel
Soledad Bottaro
Chiu Wah Lee
Location Manager:
Dan Whitty
Makeup & Hair:
Sallie Jaye
Graham Johnston
Music Consultant:
Kirsten Lane
Music Score Producer:
Stephen McLaughlin
Music Supervisor:
Nick Angel
Original Music Composer:
Ilan Eshkeri
Painter:
George Dean
Producer:
Eric Fellner
Chris Clark
Tim Bevan
Production Design:
Jim Clay
Production Manager:
Nicky Earnshaw
Production Sound Mixer:
Mark Holding
Production Supervisor:
Kate Fasulo
Scoring Mixer:
Stephen McLaughlin
Screenplay:
Hamish McColl
Script Supervisor:
Cathy Doubleday
Second Assistant "A" Camera:
Abigail Catto
Second Assistant Camera:
Max Glickman
Tobias Marshall
Adam Dorney
Dan Morrison
Second Assistant Director:
Mark Hopkins
Scott Bunce
Beatrice Manning
Tracey Warren
Harriet Worth
Cindy Yu
Second Second Assistant Director:
Dan Channing-Williams
Second Unit Director:
Martin Kenzie
Second Unit Director of Photography:
Martin Kenzie
Set Decoration:
Caroline Smith
Sound:
Niv Adiri
Sound Designer:
Glenn Freemantle
Steadicam Operator:
Zac Nicholson
Still Photographer:
Giles Keyte
Stunt Coordinator:
Paul Herbert
Stunts:
Marc Mailley
Jo McLaren
Pete Ford
Supervising Art Director:
Dominic Masters
Third Assistant Director:
James Chambers
Terry McShane
Cheng Wai-Kei
Mark Gillespie
Ben Quirk
Greg Tynan
Gemma Louise Read
Unit Production Manager:
Sasha Harris
Tim Wellspring
Ivan Lam
Writer:
William Davies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.