A work in constant progress (and occasional regress).
Release Date:
July 15, 2020
Original Title:
Psych 2: Lassie Come Home
Alternate Titles:
靈異妙探2:萊斯歸來
Genres:
Comedy | Crime
Production Companies:
Pacific Mountain Productions
Thruline Entertainment
UCP
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 PR: PG US: PG
Runtime: 89
After Santa Barbara Police Chief Carlton Lassiter is ambushed and left for dead, Shawn and Gus return to help him and find themselves embroiled in a case involving the personal, the professional – and even the supernatural.
Animal Coordinator:
Ian Doig
Animal Wrangler:
Samantha Cassidy
Assistant Production Coordinator:
Darron Leiren-Young
Best Boy Grip:
Matt Williams
Broadcast Producer:
Barbara Biddle
Camera Operator:
Marco Ciccone
Grizz Salzl
Colorist:
Robert Tomaszewski
Dailies Manager:
Albert Cleto
Digital Imaging Technician:
Ryan McGregor
Director:
Steve Franks
Executive Producer:
Chris Henze
James Roday Rodriguez
Dulé Hill
Steve Franks
First Assistant "B" Camera:
Jay Kamal
First Assistant Camera:
Tegan Kolodinski
Gaffer:
Leonard Taylor
Key Rigging Grip:
Jesse Frank
Location Scout:
Cameron Tremblay
Music:
Adam Cohen
John Robert Wood
Post Production Supervisor:
Kathleen Marmo
Production Assistant:
Christopher Hartt
Production Coordinator:
Byron Fudge
Property Buyer:
Samantha Wohlwend
Second Assistant "B" Camera:
Brenda Miller
Set Decoration Buyer:
Jason Sober
Set Dresser:
Tristan Oliver
Sound Effects Editor:
Candice Brunello
Supervising Sound Editor:
Daniel Colman
Visual Effects Supervisor:
Michael D. Leone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.