A work in constant progress (and occasional regress).
Release Date:
June 30, 2018
Original Title:
From Shock to Awe
Genres:
Documentary
Production Companies:
Adobe Films International
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
How do we heal our deepest wounds? Two combat veterans, suffering from severe trauma, abandon pharmaceuticals in order to seek healing through psychedelic medicines. Recent scientific research has shown that these substances can help people to recover from post-traumatic stress disorder (PTSD). Beyond the personal stories, From Shock to Awe raises fundamental questions about war, the pharmaceutical industry, and the US legal system.
Additional Camera:
Rénald Bellemare
Christopher Beaver
Associate Producer:
John Kinnaird
Lanette Kinnaird
Robert J. Barnhart
Jack Stuppin
Diane Stuppin
Camera Operator:
Luc Côté
Director:
Luc Côté
Editor:
Luc Côté
Executive Producer:
Maxi Cohen
Foley Artist:
Nicolas Gagnon
Foley Recording Engineer:
Benoît Leduc
Music:
Robert Marcel Lepage
Online Editor:
Denis Boisvert
Producer:
Luc Côté
Mitch Schultz
Janine Sagert
Researcher:
Janine Sagert
Luc Côté
Sound Designer:
Claude Langlois
Sound Editor:
Claude Langlois
Sound Mixer:
Jean-Pierre Bissonnette
Sound Recordist:
Luc Côté
Thanks:
Ryan LeCompte
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.