A work in constant progress (and occasional regress).
Release Date:
March 30, 1990
Original Title:
Dances with Wolves
Alternate Titles:
Bailando con lobos
Dansar med vargar
Dança Com Lobos
Farkasokkal tancolo
Plesovi sa Vukovima
Tańczący z Wilkami
Танці з вовками
늑대와 춤을
Genres:
Adventure | Drama | Western
Production Companies:
Allied Filmmakers
Majestic Films International
Tig Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 14 CA: PG CH: 12 DE: 12 DK: 15 ES: APTA FR: U GB: 15|12 GR: 13 IE: 15 IT: T KR: 15 NL: 16 PT: M/12 SE: 11 US: PG-13
Runtime: 181
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
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1998 #75 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2006 #59 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
ADR Editor:
Chris Jargo
ADR Mixer:
Doc Kane
Additional Camera:
S. Phillip Sparks
Additional Soundtrack:
Tommy Morgan
Animal Wrangler:
S. Fox Sloan
Dan Wesson
Art Direction:
William Ladd Skinner
Assistant Camera:
Henry Tirl
Fred L. McLane
Joe Sanchez
Assistant Editor:
Robert C. Lusted
Assistant Hairstylist:
Deborah Mills-Whitlock
Linda Bowman
Linda Peterson
Heather Matisoff
Beth Miller
Assistant Makeup Artist:
Tammy Ashmore
Terri Goett
Karin Hayes
Tea Jay Glass
Assistant Property Master:
John C. Cameron
Assistant Sound Editor:
Rubén Domingo
Justine Turner
Associate Producer:
Bonnie Arnold
Best Boy Electric:
Marc Wostak
Best Boy Grip:
Kim Heath
Boom Operator:
Albert Aquino
Cableman:
Lee Loesch
Camera Operator:
J. Michael Muro
Carpenter:
Patrick Mollman
Kerry J. Frosh
Reed A. Finch
Casting:
Elisabeth Leustig
Rene Haynes
Jory Weitz
Color Timer:
Mike Stanwick
Construction Coordinator:
Ben Zeller
Construction Foreman:
Al Eylar
Jim Hill
Costume Assistant:
Ron Beebe
Susan Brown
Costume Design:
Elsa Zamparelli
Costume Supervisor:
Birgitta Bjerke
Dialogue Coach:
Doris Leader Charge
Albert White Hat
Director:
Kevin Costner
Director of Photography:
Dean Semler
Dolly Grip:
John W. Murphy
Editor:
William Hoy
Steve Potter
Neil Travis
Chip Masamitsu
Electrician:
Raymond Gonzales
Michael C. Blundell
Executive Producer:
Jake Eberts
Extras Casting:
Rene Haynes
Extras Casting Assistant:
Catherine 'Kitty' Duffy
Ka-Mook Nichols
First Assistant Camera:
Mark Davison
Jimmy E. Jensen
Lee Blasingame
First Assistant Director:
Doug Metzger
First Assistant Makeup Artist:
Patricia Carrisosa
Foley Artist:
Alicia Stevenson
Dan O'Connell
Foley Editor:
Joel Berkovitz
John Duvall
Foley Mixer:
Timothy A. Hoggatt
Gaffer:
Víctor Pérez
Greensman:
Stephanie Waldron
Grip:
Doug Cowden
Lyle Ehlers
William Eddie Paul
Bryon Bower
Tony DeVito
Michael Dunson
Hairstylist:
Elle Elliott
Joani Yarbrough
Key Grip:
William 'Bear' Paul
Key Hair Stylist:
Tamara Guthrie
Key Makeup Artist:
David Atherton
Lead Painter:
Ron Ashmore
Leadman:
Patrick Cassidy
Location Manager:
Tim Wilson
Makeup Artist:
Francisco X. Pérez
Music Editor:
Cliff Kohlweck
Music Supervisor:
John Coinman
Negative Cutter:
Gary Burritt
Original Music Composer:
John Barry
Pilot:
Gary E. Pfaff
Playback Coordinator:
Blair Forward
Post Production Accountant:
Chris Romberg
Post Production Supervisor:
Michael J. Harker
Producer:
Jim Wilson
Kevin Costner
Production Accountant:
John T. Haun
Production Coordinator:
Doris Hartley
Production Design:
Jeffrey Beecroft
Production Secretary:
Stacy Hartley
Production Sound Mixer:
Russell Williams II
Mary Jo Devenney
Property Master:
Scott A. Stephens
Screenplay:
Michael Blake
Script Supervisor:
Angela Robinson
Jan Evans
Second Assistant Camera:
Dudley J. Voll
Second Assistant Director:
Stephen P. Dunn
Second Unit Director:
Philip C. Pfeiffer
John Huneck
Second Unit Director of Photography:
John Huneck
Philip C. Pfeiffer
Set Costumer:
Barbara Gordon
Set Decoration:
Lisa Dean
Set Dresser:
Dayna Lee
Paul Arthur Hartman
Sound Designer:
Robert Fitzgerald
Sound Editor:
Jeff Rosen
Albert Gasser
Ed Fassl
Linda Moss
Howard Gindoff
Bruce Stubblefield
Sound Re-Recording Mixer:
Gregory H. Watkins
Bill W. Benton
Jeffrey Perkins
Special Effects:
Robbie Knott
Standby Carpenter:
Robert Des Jarlais
Marvin Holy
Steadicam Operator:
J. Michael Muro
Still Photographer:
Ben Glass
Stunt Coordinator:
Norman Howell
Stunts:
Erik Rondell
Billy Joe Fredericks
Supervising ADR Editor:
Barbara Barnaby
Supervising Sound Editor:
Robert Fitzgerald
Hari Ryatt
Swing:
James Allen Bradley
Darryl Hayes
Jay B. Curry
Technical Advisor:
Cathy Smith
Larry Belitz
Thanks:
Kevin Reynolds
Title Designer:
Jay Johnson
David L. Aaron
Transportation Captain:
Jonathan A. Rosenfeld
Transportation Co-Captain:
Wayne Jones
Transportation Coordinator:
David Siegel
Unit Production Manager:
Derek Kavanagh
Unit Publicist:
Peter Haas
Visual Effects:
Robert D. Bailey
Paul Curley
Matthew Yuricich
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.