A work in constant progress (and occasional regress).
Release Date:
April 13, 1974
Original Title:
Mi hijo no es lo que parece
Alternate Titles:
Acelgas con champan y mucha música
Genres:
Comedy | Music
Production Companies:
Cámara Producciones Cinematográficas S.A.
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 80
Love, music and entanglements: a showgirl tries luck in tragedy, but she will be surprised by the arrival of her son from Bombay, with ideas very different from those of Spain; while the successor of this one - and neighbor - gains a plus doing "favors" to the gentle admirers.
Assistant Camera:
Luis Caldery
Manuel Mateos
Assistant Director:
Jaime Bayarri
Assistant Editor:
Juan Ignacio San Mateo
Rosa Ortiz
Assistant Makeup Artist:
Clementina Farssac
Assistant Production Manager:
Ángel Parrondo
Assistant Set Decoration:
Rafael Pérez Murcia
Camera Operator:
Ricardo Andreu
Choreographer:
Jorge Lago
Costume Design:
Amparo Coll
Tony Andújar
Director:
Angelino Fons
Director of Photography:
Antonio L. Ballesteros
Editor:
Pablo G. del Amo
Hairstylist:
Concepción Cano
Makeup Artist:
Manuel Martín
Carmen Martín
Music:
Gregorio García Segura
Producer:
Luis Sanz
Production Assistant:
Ildefonso Pérez
Production Design:
León Revuelta
Production Manager:
Pablo Martínez Bris
Property Master:
Fernando Quejido
Script Supervisor:
Gloria Roldán
Set Decoration:
Wolfgang Burmann
Still Photographer:
Simón López
Visual Effects:
Pablo Núñez
Wardrobe Master:
Humberto Cornejo
Angelines Castro
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.