A work in constant progress (and occasional regress).
Release Date:
August 26, 2019
Original Title:
IRIS: A Space Opera by Justice
Genres:
Music
Production Companies:
Because Music
Corida
Ed Banger Records
Genesis
Iconoclast
Production Countries:
France
Ratings / Certifications:
US: NR
Runtime: 62
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Art Designer:
Thomas Jumin
Cinematography:
André Chemetoff
Construction Manager:
Quentin de la Motte
Creative Director:
Gaspard Augé
Xavier de Rosnay
Director:
André Chemetoff
Armand Beraud
Editor:
Stéphanie Pélissier
First Assistant Director:
Marie Le Grévellec
Graphic Designer:
Adrien Servadio
Albin Martinetti
Key Grip:
Sébastien Grasso
Lighting Design:
Vincent Lérisson
Line Producer:
Delphine Bellonnet
Location Manager:
Romain Carciofo
Original Music Composer:
Gaspard Augé
Xavier de Rosnay
Producer:
Horace de Gunzbourg
Maëva Tenneroni
Production Design:
Jan Houllevigue
Script Supervisor:
Aurélie David
Set Designer:
Xavier de Rosnay
Gaspard Augé
Vincent Lérisson
Matthias Leullier
Manu Mouton
Lucas Morice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.