A work in constant progress (and occasional regress).
Release Date:
December 19, 1987
Original Title:
Le vie del Signore sono finite
Alternate Titles:
The Ways of the Lord Are Over
Genres:
Comedy
Production Companies:
Cecchi Gori Group Tiger Cinematografica
Esterno Mediterraneo Film
RAI
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 117
Set in Italy during the 1920s, a barber is in a wheelchair because of a psychosomatic illness after he lost the woman he loves.
Accountant:
Marco Mattei
Administration:
Donatella Scarinci
Anna Cenciarelli
Assistant Costume Designer:
Cristiana Ricceri
Isabella Rizza
Assistant Editor:
Patrizia Ceresani
Angela Bordi
Rita Mauro
Assistant Production Design:
Maria Cristina Reggio
Boom Operator:
Maurizio Merli
Camera Operator:
Roberto Brega
Costume Design:
Christiana Lafayette
Director:
Massimo Troisi
Director of Photography:
Camillo Bazzoni
Editor:
Nino Baragli
Executive Producer:
Gaetano Daniele
First Assistant Camera:
Maurizio Piano
First Assistant Director:
Giorgio Basile
Gaffer:
Alberto Altibrandi
Hairstylist:
Ferdinando Merolla
Elisabetta De Leonardis
Key Grip:
Elio Bosi
Line Producer:
Claudio Grassetti
Makeup Artist:
Enrico Iacoponi
Alfredo Marazzi
Original Music Composer:
Pino Daniele
Producer:
Mauro Berardi
Production Design:
Francesco Frigeri
Production Manager:
Luciano Balducci
Production Secretary:
Raffaele Veneruso
Claudio Lucaferri
Property Master:
Adriano Tiberi
Screenplay:
Anna Pavignano
Massimo Troisi
Script Supervisor:
Francesca Ghiotto
Seamstress:
Iolanda Di Pasquale
Gabriella Morganti
Second Assistant Camera:
Luca Bazzoni
Set Decoration:
Maurizio Pacchi
Sound:
Massimo Loffredi
Sound Mixer:
Romano Checcacci
Special Effects:
Giovanni Corridori
Still Photographer:
Mario Tursi
Story:
Anna Pavignano
Massimo Troisi
Unit Manager:
Antonio Tacchia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.