A work in constant progress (and occasional regress).
Release Date:
September 10, 1981
Original Title:
Sogni d'oro
Alternate Titles:
Golden Dreams
Genres:
Comedy | Drama
Production Companies:
Opera Film Produzione
RAI
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 105
Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.
Administration:
Sergio Bologna
Nestore Baratella
Assistant Editor:
Carlo D'Alessandro
Piera Gabutti
Assistant Production Design:
Paolo Schiavetti
Boom Operator:
Decio Trani
Camera Operator:
Francesco Gagliardini
Conductor:
Gianfranco Plenizio
Costume Design:
Lia Francesca Morandini
Director:
Nanni Moretti
Director of Photography:
Franco Di Giacomo
Editor:
Roberto Perpignani
Executive Producer:
Manolo Bolognini
First Assistant Camera:
Silvano Tessicini
First Assistant Director:
Inigo Lezzi
Foley Artist:
Massimo Anzellotti
Luciano Anzellotti
Gaffer:
Valerio Garzia
Hairstylist:
Iole Cecchini
Key Grip:
Mauro Anzelotti
Makeup Artist:
Gloria Fava
Original Music Composer:
Franco Piersanti
Producer:
Renzo Rossellini
Nanni Moretti
Production Design:
Gianni Sbarra
Production Secretary:
Andrea Bolognini
Screenplay:
Nanni Moretti
Script Supervisor:
Eleonora Pallottini
Second Assistant Camera:
Alessandro Ghiara
Sound:
Franco Borni
Sound Editor:
Donato Ungaro
Sound Mixer:
Fausto Ancillai
Still Photographer:
Pierluigi Praturlon
Story:
Nanni Moretti
Unit Manager:
Filippo Campus
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.