A work in constant progress (and occasional regress).
Release Date:
October 6, 1984
Original Title:
Così parlò Bellavista
Alternate Titles:
Ainsi parlait Bellavista
Genres:
Comedy
Production Companies:
Eidoscope Productions
Rete 4
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 105
In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.
Accountant:
Carla Zacchia
Administration:
Gigliola Nadin
Giulio Cestari
Assistant Camera:
Umberto Manente
Marco Sacerdoti
Assistant Costume Designer:
Paola De Crescenzo
Assistant Editor:
Carlo Della Corte
Simona Paggi
Camera Operator:
Giovanni Sanga
Costume Design:
Marcella De Marchis
Director:
Luciano De Crescenzo
Director of Photography:
Dante Spinotti
Editor:
Anna Rosa Napoli
First Assistant Director:
Renzo Girolami
Gaffer:
Carlo Vinciguerra
Hairstylist:
Luisa Di Fraia
Key Grip:
Maurizio Micalizzi
Makeup Artist:
Cristina Rocca
Novel:
Luciano De Crescenzo
Original Music Composer:
Claudio Mattone
Producer:
Emilio Bolles
Mario Orfini
Production Design:
Franco Vanorio
Production Manager:
Giuseppe Mangogna
Production Secretary:
Giuseppe Giugliano
Saverio Mangogna
Luciano Pecoraro
Screenplay:
Luciano De Crescenzo
Riccardo Pazzaglia
Script Supervisor:
Fiorella Mariani
Second Assistant Director:
Luca Bianchini
Set Decoration:
Stefano Paltrinieri
Sound:
Mario Dallimonti
Sound Mixer:
Gianni D'Amico
Steadicam Operator:
Massimo Vitali
Still Photographer:
Claudio Corrivetti
Unit Manager:
Loredana Ulpiani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.