Fifth of July (1982) [N/A]

Release Date:
October 11, 1982

Original Title:
Fifth of July

Alternate Titles:
Lanford Wilson's Fifth Of July

Genres:
Drama

Production Companies:
Broadway Theatre Archive
Showtime Networks
Thirteen

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 129

Ken Talley, a Vietnam vet who lost his legs in combat, lives in a farmhouse in rural Missouri with his lover, Jed. Traumatized and bitter, Ken struggles to find meaning in his life. As he contemplates selling the farmhouse, old friends and family members descend for a vacation. Originally broadcast as part of the series "American Playhouse" (season 1, episode 9).

Additional information:

The Search Form


Art Direction:
David Potts

Assistant Art Director:
Jane Asch

Assistant Costume Designer:
Dean Jackson

Assistant Director:
Carol Stowe

Associate Producer:
Susie Fasbinder

Boom Operator:
Mel Becker
Tony Pollozzolla

Camera Operator:
Dean Baldwin
Bob Long
Pat Terray
Jon Minard

Continuity:
Daniel Irvine

Costume Design:
Laura Crow

Director:
Marshall W. Mason
Kirk Browning

Editor:
Nelson Warner

Executive Producer:
Jac Venza

Graphic Designer:
B.T. Whitehill

Hairstylist:
Aaron F. Quarles

Lighting Director:
William C. Knight

Location Manager:
David Weber

Makeup Artist:
Michal Bigger
Margaret Sunshine

Music Supervisor:
John Adams

Producer:
Samuel Paul

Production Assistant:
Patricia Ryan
Fred Reinglas
Mitch Owgang

Production Controller:
Franc Martarella

Production Manager:
Bill Chase
Stan Levy

Production Secretary:
Laura Gribbin
Emily Grossman

Property Master:
Sharon Seymour

Props:
Ann Powderly

Scenic Artist:
Tom Cariello

Songs:
Jonathan Hogan

Sound:
Mike Shoskes

Sound Effects:
Chuck London

Sound Mixer:
Ken Hahn

Stage Director:
Tony Marshall

Technical Supervisor:
Ray Walker

Theatre Play:
Lanford Wilson

Wardrobe Assistant:
Sue Lyons

Wig Designer:
Paul Huntley

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.