A work in constant progress (and occasional regress).
Release Date:
October 11, 1982
Original Title:
Fifth of July
Alternate Titles:
Lanford Wilson's Fifth Of July
Genres:
Drama
Production Companies:
Broadway Theatre Archive
Showtime Networks
Thirteen
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 129
Ken Talley, a Vietnam vet who lost his legs in combat, lives in a farmhouse in rural Missouri with his lover, Jed. Traumatized and bitter, Ken struggles to find meaning in his life. As he contemplates selling the farmhouse, old friends and family members descend for a vacation. Originally broadcast as part of the series "American Playhouse" (season 1, episode 9).
Art Direction:
David Potts
Assistant Art Director:
Jane Asch
Assistant Costume Designer:
Dean Jackson
Assistant Director:
Carol Stowe
Associate Producer:
Susie Fasbinder
Boom Operator:
Mel Becker
Tony Pollozzolla
Camera Operator:
Dean Baldwin
Bob Long
Pat Terray
Jon Minard
Continuity:
Daniel Irvine
Costume Design:
Laura Crow
Director:
Marshall W. Mason
Kirk Browning
Editor:
Nelson Warner
Executive Producer:
Jac Venza
Graphic Designer:
B.T. Whitehill
Hairstylist:
Aaron F. Quarles
Lighting Director:
William C. Knight
Location Manager:
David Weber
Makeup Artist:
Michal Bigger
Margaret Sunshine
Music Supervisor:
John Adams
Producer:
Samuel Paul
Production Assistant:
Patricia Ryan
Fred Reinglas
Mitch Owgang
Production Controller:
Franc Martarella
Production Manager:
Bill Chase
Stan Levy
Production Secretary:
Laura Gribbin
Emily Grossman
Property Master:
Sharon Seymour
Props:
Ann Powderly
Scenic Artist:
Tom Cariello
Songs:
Jonathan Hogan
Sound:
Mike Shoskes
Sound Effects:
Chuck London
Sound Mixer:
Ken Hahn
Stage Director:
Tony Marshall
Technical Supervisor:
Ray Walker
Theatre Play:
Lanford Wilson
Wardrobe Assistant:
Sue Lyons
Wig Designer:
Paul Huntley
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.