A work in constant progress (and occasional regress).
Release Date:
February 5, 2019
Original Title:
Grandir
Genres:
Documentary
Production Companies:
Aloest Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 52
Prin was born in Jarai community in Vietnam's Central Highlands. She is six years old. In North Myanmar, teen years old Myu Lat Awng lives in a camp for Internally Displaced Persons because of border war. 14 years old Phout lives in kingdom of the million elephants. Deaf and mute, she has a whole different perception of life. 17 years old homeless Pagna dreams of studies and travels. Thookoloa is 21. Without any Thai identity papers, she left her mountains to find work in Bangkok. 34 years old Juliet lives happily with her husband and her four children in the Philippines. A grown-up orphan in Cebu’s trash dump site, she did everything to make her dreams become a reality. She is currently a primary school teacher. All these destinies tie, meet and assemble like pieces of one giant puzzle for one big adventure : Grandir (Growing up)
Assistant Director:
Antoine Besson
Director:
Jill Coulon
Editor:
Daniel Darmon
Mix Technician:
Éric Rey
Music:
David Donatien
Yaël Naïm
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.