A work in constant progress (and occasional regress).
Featuring:
Helmut Berger, Bettina Vorndamme, Karla Vorndamme
Written by:
Valesca Peters
Directed by:
Valesca Peters
Release Date:
March 7, 2019
Original Title:
Helmut Berger, meine Mutter und ich
Alternate Titles:
Helmut Berger – Der Verdammte
Genres:
Documentary
Production Companies:
3sat
Kobalt Productions
ORF
nordmedia
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 82
My mother googles the film hero of her youth: Helmut Berger. She is shocked: only an addicted shadow of the former icon seems to be left. She decides to halt the obvious catastrophic decline of the once “most handsome man in the world”. As a consequence, this one-time god of the screen is suddenly sitting on my mother’s sofa in Nordsehl in Lower Saxony. And he stays put - for several months. While he trustingly rolls out his whole life before us, the dividing lines between film team, world star and family intermingle. This is a film about ageing, rising and falling - and about the fact that it is sometimes possible to regain an element of dignity in life.
It all started with a spontaneous Google research: What does Helmut Berger actually do? Bettina Vorndamme, the mother of director Valesca Peters, surfed the net one night after being separated from her partner and was downright shocked by what she was reading about the once "most beautiful man" of the 1960s and 1970s.
Cinematography:
Andreas Schiller
Patrick Jasim
Director:
Valesca Peters
Dramaturgy:
Sebastian Winkels
Editor:
Valesca Peters
Editorial Staff:
Michael Meister
Nicole Baum
Executive Producer:
Anahita Nazemi
Music:
David Minor
Producer:
Stefan Mathieu
Katrin Sandmann
Production Manager:
Fabian Motz
Sound:
Julius Hofstädter
Paul Paulun
Writer:
Valesca Peters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.