A work in constant progress (and occasional regress).
Release Date:
October 24, 2019
Original Title:
Weitermachen Sanssouci
Alternate Titles:
Muzyka na czas apokalipsy
Música y apocalipsis
Genres:
Comedy | Drama
Production Companies:
Amerikafilm
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 80
Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.
Art Direction:
Fabian Borlein
Eklil Qani
Assistant Camera:
Francisco Mece
Markus Koob
Assistant Costume Designer:
Lisa Mann
David Werer
Assistant Director:
Fritzi Friedrich
Assistant Editor:
Ben Laser
Assistant Production Design:
Dragan Denda
Lisa Mary Kracke
Assistant Production Manager:
Paula Lobitz
Assistant Unit Manager:
Jasmin Kira Hornung
Boom Operator:
Tom Schön
Carpenter:
Valentyn Haag
Costume Design:
Pola Kardum
Director:
Max Linz
Director of Photography:
Carlos Andres Lopez
Editor:
Bernd Euscher
René Frölke
Electrician:
Dustin John
First Assistant Camera:
Mariel Baquerio
Julian Taro Hitomi
First Assistant Director:
Maria Ochs
Foley Artist:
Peter Roigk
Gaffer:
Catalina Fernández
Key Grip:
Dustin John
Location Scout:
Tatjana Liebenow
Makeup Artist:
Ferdinand Föcking
Julia Böhm
Producer:
Maximilian Haslberger
Production Design:
Sylvester Koziolek
Production Manager:
Viktoria Stolpe
Property Master:
Nora Willy
Second Assistant Camera:
Elisabeth Börnicke
Second Assistant Director:
Lea Marie Lembke
Set Dresser:
Josche Allwarth
Vincent Malaschitz
Sound:
Andreas Mücke-Niesytka
Sound Assistant:
Nils Gradlowsky
Sound Mixer:
César Fernández Borrás
Special Effects:
Roland Tropp
Still Photographer:
Sarah Bohn
Unit Manager:
Balthasar Busmann
Visual Effects:
Sebastian Mez
Visual Effects Supervisor:
Martin Backhaus
Timor Kardum
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.