A work in constant progress (and occasional regress).
Release Date:
June 20, 2019
Original Title:
O Beautiful Night
Alternate Titles:
Doch wir lächeln zurück
Genres:
Comedy | Fantasy | TV Movie
Production Companies:
ARTE
Film- und Medienstiftung NRW
Komplizen Film
ZDF
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Runtime: 89
This fiction feature debut by Xaver Böhm is the newest production from Komplizen Film. In this Faustian tale, anxious Yuri finds himself face-to-face with Death. Yuri is forced to confront his fears over the course of a fateful night.
Art Direction:
Katharina Hafermaas
Assistant Costume Designer:
Maxi Munzert
Assistant Editor:
André Weinreich
Assistant Grip:
Felix Sablotny
Johanna Huebner
Casting:
Nina Haun
Casting Assistant:
Alrun Seifert
Commissioning Editor:
Lucas Schmidt
Costume Design:
Aline Hollstein
Digital Colorist:
Philipp Orgassa
Digital Imaging Technician:
Yannick de Decker
Digital Intermediate:
Lola Knoblach
Director:
Xaver Böhm
Director of Photography:
Jieun Yi
Editor:
Florian Miosge
Electrician:
Tobias Gehlfuß
First Assistant Camera:
Gregor Grieshaber
First Assistant Director:
Robert Spika
Foley Artist:
Roland Platz
Head of Production:
Frieda Oberlin
Health and Safety:
Grit Belitz
Key Grip:
Maike Maier
Lighting Technician:
Valentin Spengemann
Location Scout:
Iris Czak
Makeup Artist:
Anna Kunz
Nicolay Mayer
Grete Pfleger
Music:
Paul Eisenach
Xaver Böhm
Producer:
Janine Jackowski
Jonas Dornbach
Maren Ade
Production Design:
Olivier Meidinger
Production Manager:
Luis Singer
Property Builder:
Hagen Rissmann
Property Master:
Marie-Catherine Theiler
Denise Wissmann
Sound:
Christoph Walter
Manuel Vogt
Sound Assistant:
Felix Kaufmann
Julian Feijoo
Stunt Coordinator:
Michael Bornhütter
Stunt Driver:
Alister Mazzotti
Stunts:
Mike Möller
Supervising Sound Editor:
Linus Nickl
Unit Manager:
Toni Jaschke
Video Assist Operator:
Joshua Seibel
Paul-Vincent Roll
Visual Effects:
Christian Tröger
Wardrobe Master:
Pauline Näscher
Writer:
Ariana Berndl
Xaver Böhm
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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