A work in constant progress (and occasional regress).
Release Date:
April 1, 1993
Original Title:
Jona che visse nella balena
Alternate Titles:
Années d'enfance
Jonah que Viveu na Baleia
Jónás, aki a cethal gyomrában élt
Lata dzieciństwa
Look to the Sky
鯨の中のジョナ
Genres:
Drama | History
Production Companies:
Focus Film
French Productions
Jean Vigo International
RAI
Production Countries:
France | Hungary | Italy
Ratings / Certifications:
N/A
Runtime: 100
A Jewish boy living in Amsterdam at the onset of World War II is taken to a concentration camp with his parents. Based on the memoir of Holocaust survivor Jona Oberski.
Assistant Editor:
Rita Mauro
Alessandro Baragli
Pierfrancesco Achilli
Book:
Jona Oberski
Boom Operator:
Pascal D'Hueppe
Camera Operator:
László Bille
Casting:
Riitta Haley
Co-Writer:
Filippo Ottoni
Hugh Fleetwood
Costume Design:
Elisabetta Beraldo
Delegated Producer:
Gianna Bellavia
Director:
Roberto Faenza
Director of Photography:
János Kende
Dolby Consultant:
Federico Savina
Editor:
Nino Baragli
First Assistant Director:
Gianni Arduini
Tatiana Zareva
First Assistant Editor:
Patrizia Ceresani
Hair Department Head:
Erzsébet Forgács
Line Producer:
Egidio Valentini
Makeup Department Head:
Giusy Bovino
Music:
Ennio Morricone
Producer:
Elda Ferri
Production Accountant:
Giulio Cestari
Elisabetta Gizzi
Production Assistant:
Alessandro Lorincov
Production Design:
László Gárdonyi
Mariya Ivanova
Researcher:
Liliana Picciotto
Screenplay:
Roberto Faenza
Second Assistant Director:
Enrico De Bernart
Sound Engineer:
Bernard Rochut
Sound Mixer:
Fausto Ancillai
Still Photographer:
Ottavio Ferrario
Thanks:
Mario Anniballi
Roberto Benigni
Roberto Cicutto
Vincenzo De Leo
Blasco Giurato
Michele Placido
Enzo Porcelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.