A work in constant progress (and occasional regress).
Release Date:
August 1, 2019
Original Title:
Leberkäsjunkie
Alternate Titles:
Bajor rapszódia - Húskenyér függőség
The Meatloaf Addict
Genres:
Comedy | Crime
Production Companies:
ARD Degeto
BR
Constantin Film
ORF
Production Countries:
Austria | Germany
Ratings / Certifications:
AT: 12 DE: 12
Runtime: 93
While dealing with a burnt-down house, smelly diapers and brutal lack of sleep, a Lower Bavarian police officer faces his worst adversary: cholesterol.
Assistant Grip:
Simon Lukas Kmeth
Assistant Production Design:
Jutta Glaser
Assistant Production Manager:
Andrea Schmitt
Assistant Property Master:
Viola Findler
Assistant Set Decoration:
Marcel Steinmann
Casting:
Franziska Aigner
Costume Design:
Walter Schwarzmeier
Director:
Ed Herzog
Director of Photography:
Stephan Schuh
Editor:
Stefan Essl
Electrician:
Metehan Karakus
Executive Producer:
Christine Rothe
First Assistant Camera:
Laura Gehrke
Gaffer:
Michael Koschorreck
Key Grip:
Jürgen Wolf
Line Producer:
Steffen Günther
Novel:
Rita Falk
Original Music Composer:
Martin Probst
Producer:
Kerstin Schmidbauer
Production Accountant:
Silke Richter
Production Design:
Anette Ingerl
Production Driver:
Bernd Oberueber
Severin Kolbinger
Matthias Schrauff
Production Manager:
Sylvia Binder
Production Sound Mixer:
Christian Götz
Property Master:
Sonja Möginger
Screenplay:
Stefan Betz
Ed Herzog
Script Supervisor:
Marielle Gottmann
Second Assistant Camera:
Laura Gehrke
Set Decoration:
Thomas Höltzel
Set Dresser:
Mareen Golz
Set Runner:
Leon Algrim
Special Effects Supervisor:
Helmut Neudorfer
Special Effects Technician:
Sebastian Bulst
Standby Property Master:
Claudia Kiefer
Still Photographer:
Bernd Schuller
Stunt Coordinator:
Mac Steinmeier
Erhard Brem
Stunt Double:
Benjamin Nippe
Denise Treffler
Stunts:
Steffen Jung
Unit Manager:
Martin Hildebrand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.