A work in constant progress (and occasional regress).
Release Date:
March 6, 2020
Original Title:
Livet efter döden
Alternate Titles:
Elämää kuoleman jälkeen
Livet etter døden
Genres:
Comedy | Drama
Production Companies:
Citizen Jane Productions
Production Countries:
Finland
Ratings / Certifications:
FI: K-7 NO: A
Runtime: 81
Nisse’s wife Leila has just died but he feels he’s done enough mourning. Friends and family are overrun by Nisse who just wants the funeral to be over and done with. No fuss and no mourning here! Nisse demands to be left alone. So, there he is, with the only thing remaining – the sorrow. Nisse grows to understand that even a deep loss is no excuse to eliminate everyone and everything.
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Assistant Director:
Tom Saxman
Boom Operator:
Anssi Kainulainen
Casting:
Minna Sorvoja
Colorist:
Marko Terävä
Costume Design:
Riitta Peteri
Digital Imaging Technician:
Tuomas Kaisti
Director:
Klaus Härö
Director of Photography:
Robert Nordström
Dramaturgy:
Jimmy Karlsson
Editor:
Thomas Täng
First Assistant Camera:
Mimmo Hildén
Foley Artist:
Tapio Liukkonen
Gaffer:
Jari Lehtiniemi
Grip:
Aki Ruostepuro
Line Producer:
Inka Hietala
Location Scout:
Markus Uotinen
Makeup Designer:
Pia Mikkonen
Online Editor:
Ari Rusanen
Original Music Composer:
Matti Bye
Producer:
Leila Lyytikäinen
Elina Pohjola
Production Design:
Markus Packalén
Production Sound Mixer:
Svante Colérus
Script Supervisor:
Riikka Laakkonen
Second Assistant Camera:
Valpuri Lindberg
Sound Designer:
Micke Nyström
Sound Editor:
Olli Pärnänen
Julius Jäppinen
Anssi Kainulainen
Sound Re-Recording Mixer:
Olli Pärnänen
Micke Nyström
VFX Artist:
Hugo Kiekeben
Tuomo Hintikka
Writer:
Klaus Härö
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.