A work in constant progress (and occasional regress).
Release Date:
January 30, 2020
Original Title:
Villetta con ospiti
Genres:
Drama | Mystery
Production Companies:
Les Films d'Ici
RAI Cinema
Rodeo Drive
Production Countries:
France | Italy
Ratings / Certifications:
RU: 16+
Runtime: 88
A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.
Assistant Editor:
Giuliana Sarli
Daniela Sarli
Assistant Production Design:
Sergio Cosulich
Boom Operator:
Emanuele Giunta
Camera Operator:
Alessandro Gentili
Casting:
Pino Pellegrino
Co-Producer:
Laura Briand
Costume Design:
Grazia Colombini
Delegated Producer:
Francesca Lana
Director:
Ivano De Matteo
Director of Photography:
Maurizio Calvesi
Editor:
Marco Spoletini
Executive Producer:
Francesca Di Donna
First Assistant Camera:
Ernesto Busillo
Matteo Pedicini
First Assistant Director:
Alessandro Casale
Gaffer:
Emilio Scattaretico
Hair Department Head:
Michele Vigliotta
Hairstylist:
Nadia Maggi
Key Grip:
Marco Santarelli
Line Producer:
Luciano Lucchi
Location Manager:
Pierpaolo Cortesi
Makeup Artist:
Federico Meniconi
Makeup Department Head:
Mauro Meniconi
Original Music Composer:
Francesco Cerasi
Producer:
Marco Poccioni
Marco Valsania
Production Coordinator:
Annamaria Losito
Production Design:
Sonia Peng
Screenplay:
Ivano De Matteo
Valentina Ferlan
Script Supervisor:
Claudia Nannuzzi
Second Assistant Camera:
Sofía Karakachoff
Set Decoration:
Paola Soldini
Sound:
Mario Iaquone
Sound Editor:
Francesco Vallocchia
Sound Effects Editor:
Marco Marinelli
Sound Mixer:
Andrea Malavasi
Stunt Coordinator:
Emiliano Novelli
Unit Manager:
Santa Cantone
Visual Effects Coordinator:
Maria D'Agostini
Visual Effects Producer:
Virginia Cefaly
Visual Effects Supervisor:
Luca Saviotti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.