A work in constant progress (and occasional regress).
Release Date:
June 27, 2017
Original Title:
1000 Smiles Per Hour
Ratings / Certifications:
N/A
Runtime: 15
1000 Smiles Per Hour. 1000 Smiles on a stage in front of an audience that uses you as a mirror, as a chance to look at themselves, into themselves. Into their deepest desires and fears. Into their humanity. But what about yourself? Who are you? You walk the streets towards a destination we do not know. You meet a woman whose relationship to you is unclear. You remain a ghost, who needs to wash off make-up, a mask, a second personality which you squeeze yourself into for a couple of hours every day. You're the one who smiles for us, who shows us who we are and who disappears in the shadow of ourselves.
Cinematography:
Smina Bluth
Director:
Fabian Altenried
Editor:
Antonella Sarubbi
Music:
Victor Tricard
Writer:
Anne-Kathrin Heier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.