A work in constant progress (and occasional regress).
Release Date:
January 1, 1990
Original Title:
Fatal Encounter
Genres:
Thriller
Production Companies:
Cinemotion 21st Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 83
A woman finds out that her biological father, a professional race car driver, was murdered twenty years ago and the murderer or murderers are still on the loose.
ADR Mixer:
Timothy Pearson
Assistant Director:
Ruth Rutledge
Chris Suma
Assistant Makeup Artist:
Robin Kisner
Associate Producer:
John C. Wanamaker
Blanch Lewis
Director:
Henri Charr
Director of Photography:
Richard Jones
Robin T. Rutledge
Editor:
Henri Charr
Jess Mancilla
Executive Producer:
Alex Boas
First Assistant Camera:
Jeff Johnson
Rick Lamb
David Dechant
First Assistant Director:
John Eng
Foley:
Zane D. Bruce
Foley Recordist:
Timothy Pearson
Gaffer:
Paul Wilkowsky
Hairstylist:
Leslie Peller
Key Grip:
John Harmon
Line Producer:
Ron Lavery
Agie Charr
Makeup Artist:
Julie Socash
Leslie Peller
Original Music Composer:
Leonard Marcel
Producer:
Jess Mancilla
Production Manager:
David Tekler
Property Master:
William Jackson
Script Supervisor:
Ingrid Urich-Sass
Second Assistant Camera:
Mike Freelander
Jim Gordan
Second Assistant Director:
Pat Mainello
Set Designer:
Henosh Yacoub
Sound:
Charles Zeiler
Sound Effects Editor:
David Eddy
Sound Mixer:
Pat Toma
Paul Loogan
Bill Ratcliffe
Johnathon Watson
Sound Re-Recording Mixer:
Smith Craig
Sound Recordist:
William Komar
Story:
Henri Charr
Jess Mancilla
Stunt Coordinator:
Ron Althoff
Stunts:
Dan Koko
Trisha Lane
Writer:
John B. Pfeifer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.