A work in constant progress (and occasional regress).
Release Date:
October 15, 2019
Original Title:
Sag du es mir
Alternate Titles:
Diz-me tu então
Sag du es mir
You Tell Me
Genres:
Comedy | Drama
Production Companies:
Contando Films
Filmuniversität
RBB
Wood Water Films
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Runtime: 104
After 20 years Moni (38) returns home to her sister Silke who has been attacked by a stranger. Moni is willing to do anything possible to find the attacker and to protect her sister. But is that really what Silke (34) wants? And if so, who is actually the one, to be protected? And above all, protect from who? And which role does the offender René (38) play, who doesn't even understand why he did it. A melancholic film that plays with three different perspectives and constantly reinvents itself while searching for answers.
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Camera Operator:
Leander Ott
Cinematography:
Leander Ott
Co-Producer:
Virginia Martin
Anna-Sophie Philippi
Colorist:
Dirk Meier
Costume Design:
Julia Kneusels
Dialogue Editor:
Louis Derfert
Director:
Michael Fetter Nathansky
Editor:
Camila Mercadal
Makeup Artist:
Julika Leiendecker
Music:
Marcus Sander
Producer:
Arto Sebastian
Jasper Mielke
Karoline Henkel
Michael Fetter Nathansky
Production Accountant:
Felix Faißt
Production Design:
Jonathan Saal
Recording Supervision:
Lorenz Fischer
Set Runner:
Kilian Pohl
Sound Mixer:
Robert Niemeyer
Sound Re-Recording Mixer:
Lorenz Fischer
Writer:
Michael Fetter Nathansky
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.