A work in constant progress (and occasional regress).
Release Date:
April 26, 2001
Original Title:
The Electronic Canvas
Genres:
Documentary
Production Companies:
Creative Television Associates
DeCordova Museum and Sculpture Park
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 57
"The Electronic Canvas" focuses on Boston as a major center in global movement where artists in the 1960s were drawn to the growing power of television and media. Viewers learn how these artists responded to the initial challenge of not being able to become creatively involved with television. The show looks at how cultural institutions and organizations responded to this challenge and what happened when the doors were opened to artists’ desires to probe this unexplored territory. From these early efforts and experiments, the program follows the rapid growth, diversification, and sophistication of video and media art from single channel works to complex pieces involving computer programs, museum video installations, and in the Internet. The Electronic Canvas aired in April 2001 on WGBH Channel 2 in Boston and then on public television stations nationally.
Assistant Editor:
Richard Katz
David Eells
Director:
Mark Geffen
Editor:
Mark Geffen
Executive Producer:
George Fifield
Fred Barzyk
Makeup Artist:
Deborah Cross
Producer:
Olivia Tappan
Production Assistant:
Judy Bourg
Jack Celli
Props:
Christine Holmes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.