A work in constant progress (and occasional regress).
Release Date:
September 7, 2019
Original Title:
Greed
Genres:
Comedy | Drama
Production Companies:
Columbia Pictures
Film4 Productions
Revolution Films
Sony Pictures Classics
Sony Pictures International Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 12 GB: 15 IE: 15 JP: PG12 KR: 15세 이상 관람가 NL: 16 RU: 16+ US: R
Runtime: 100
A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.
"A" Camera Operator:
Giles Nuttgens
"B" Camera Operator:
James Clarke
ADR Recordist:
Nick Baldock
Additional Writing:
Sean Gray
Art Direction:
Matt Fraser
Assistant Editor:
Adam McHattie
Carlos Serrano Azcona
Assistant Location Manager:
Jack Leary
David Britain
Assistant Makeup Artist:
Charlie Butler
Assistant Production Coordinator:
Sam J. Brown
Best Boy Electric:
Ben Manwaring
Camera Trainee:
Jamie Coupland
Casting:
Sarah Crowe
Casting Associate:
Ben Marks
Xanthe Spencer-Davidson
Co-Producer:
Anthony Wilcox
Colorist:
John Claude
Costume Assistant:
Jojo Faucher
Costume Designer:
Anthony Unwin
Costume Supervisor:
Kim Tizard-Lee
Dialogue Editor:
Jorge Alarcón
Digital Imaging Technician:
Joe Lovelock
Digital Intermediate Producer:
Charlotte Llewelyn
Director:
Michael Winterbottom
Director of Photography:
Giles Nuttgens
Editor:
Liam Hendrix Heath
Mags Arnold
Marc Richardson
Electrician:
Edel Gardner
Executive Producer:
Daniel Battsek
Ollie Madden
First Assistant "A" Camera:
Anna Benbow
First Assistant "B" Camera:
Joseph Mastrangelo
First Assistant Accountant:
Edward Taroghion
First Assistant Director:
Zoe Liang
Ihshan Iqbal
Foley Artist:
Julien Naudin
Foley Mixer:
Patrick Ghislain
Gaffer:
Chris Georgas
Tim Jordan
Graphic Designer:
Lisa Williams
Grip:
Nick Teulon
Hair Designer:
Tara McDonald
Key Grip:
Dharshana Pushpakumara
Line Producer:
Kate Glover
Location Manager:
Matthew Lane
Ben Frost
Makeup & Hair:
Angela Oxley Evans
Makeup Artist:
Cat Burdett
Makeup Designer:
Tara McDonald
Makeup Supervisor:
Catherine Elizabeth Smith
Sarita Allison
Music Supervisor:
Rupert Hollier
David Fish
Online Editor:
Lauren de Rony
Original Music Composer:
Harry Escott
Post Production Accountant:
Andrew Georgiou
Post Production Supervisor:
Hashim Alsaraf
Producer:
Melissa Parmenter
Damian Jones
Production Accountant:
John Miles
Production Coordinator:
Cecily Barber
Production Design:
Denis Schnegg
Production Manager:
Tim Leach
Production Sound Mixer:
Will Whale
Property Master:
Alan Akehurst
Prosthetic Designer:
Tara McDonald
Prosthetic Supervisor:
Sarita Allison
Screenplay:
Michael Winterbottom
Second Assistant "A" Camera:
Thomas Barber
Second Assistant "B" Camera:
Marcus Brent-Smith
Second Assistant Director:
Gayle Dickie
Nick Laurence
Set Decoration:
Libby Uppington
Sound:
Joakim Sundström
Sound Effects Editor:
Christer Melén
Sound Engineer:
Josh Robinson Ward
Sound Mixer:
Sam Mathewson
Sound Re-Recording Mixer:
Robert Farr
Special Effects Makeup Artist:
Chris Lyons
Tristan Versluis
Standby Art Director:
Daniel Wharton
Steadicam Operator:
Robert Patzelt
Still Photographer:
Amelia Troubridge
Stunt Coordinator:
Paul Kennington
Steen Young
Stunt Double:
Pete Ford
Supervising Sound Editor:
Joakim Sundström
Third Assistant Director:
Christian Proctor
Unit Publicist:
Kate Lee
Visual Effects Coordinator:
Ben Duff
Visual Effects Producer:
Josh Sykes
Visual Effects Supervisor:
Cale Pugh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.