A work in constant progress (and occasional regress).
Release Date:
September 15, 1992
Original Title:
Toward Intimacy
Alternate Titles:
Kohti läheisyyttä
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
CA: PG
Runtime: 61
This feature documentary follows a number of women with disabilities as they affirm their right to seek, develop and sustain intimate relationships with the partners of their choice. In this moving one-hour film, four disabled women from across Canada share their personal experiences, with particular emphasis on sexuality, self-esteem, stereotyping, and parenting.
Additional Camera:
Dominique Gusset
Joan Hutton
Additional Lighting Technician:
Randy Follett
Jose Martins
Administration:
Linda Paris Quillinan
Gisèle Guilbault
Assistant Camera:
Holly Gregory
Colleen Loncross
Dawn Nichol
Assistant Sound Editor:
Stephanie Squires
Cinematography:
Susan Trow
Director:
Debbie McGee
Editor:
Francine Fleming
Executive Producer:
Ginny Stikeman
Rina Fraticelli
Foley Artist:
Serge Godier
Foley Recordist:
Sherly Desbiens
Gaffer:
Roger Martín
Music Arranger:
Judith Gruber-Stitzer
Music Editor:
Chris Crilly
Music Supervision Assistant:
Sherly Desbiens
Musician:
Kathleen Dyson
Marc Villemure
Original Music Composer:
Judith Gruber-Stitzer
Post Production Coordinator:
Andrée Lachapelle
Producer:
Nicole Hubert
Production Coordinator:
Tracy Traeger
Glenys Moss
Paula McKeown
Andrée Lachapelle
Robin Hood
Production Secretary:
Dimitra Rizis
Researcher:
Debbie McGee
Sound:
Claude Hamel
Sound Editor:
Antonia McGrath
Sound Re-Recording Assistant:
Terry Mardini
Sound Re-Recording Mixer:
Adrian Croll
Sound Recordist:
Esther Auger
Diane Carrière
Jane Porter
Still Photographer:
Sheilagh O'Leary
Leona Harvich
Brett Lowther
Title Designer:
Richard Martin
Vocals:
Kathleen Dyson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.