A work in constant progress (and occasional regress).
Release Date:
August 3, 1979
Original Title:
Báječní muži s klikou
Genres:
Comedy
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 85
Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.
Assistant Camera:
Jiří Ondráček
Assistant Director:
Dobroslav Zborník
Magda Vodičková
Assistant Editor:
Eva Horázná
Rimma Stejskalová
Assistant Production Design:
Michael Poledník
Assistant Production Manager:
Miloslav Doležal
Camera Operator:
Richard Valenta
Clapper Loader:
Jitka Radová
Conductor:
František Belfín
Costume Design:
Theodor Pištěk
Costumer:
Eva Hlušáková
Zuzana Máchová
Creative Producer:
Miloš Brož
Director:
Jiří Menzel
Director of Photography:
Jaromír Šofr
Dramaturgy:
Věra Kalábová
Editor:
Jiří Brožek
First Assistant Director:
Hana Hanušová
Lyricist:
Jiří Šust
Makeup & Hair:
Alena Šedová
Miroslav Buhr
Vladimír Petřina
Original Music Composer:
Jiří Šust
Production Design:
Zbyněk Hloch
Production Manager:
Jan Šuster
Screenplay:
Jiří Menzel
Oldřich Vlček
Set Decoration:
Jiří Forst
Ladislav Rada
Jaroslav Lehman
Sound:
Milan Novotný
Still Photographer:
Jiří Kučera
Story:
Oldřich Vlček
Unit Production Manager:
Jaroslav Bouček
Rudolf Mos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.