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The Secret Society (1965) [N/A]

Release Date:
October 15, 1965

Original Title:
The Secret Society

Genres:
Drama

Production Companies:
Jode Productions
Olympic International Films

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 67

Overview from TheMovieDB

We take you inside some of the most unusual sex clubs the world had ever known. On the east side of town, a group of out of state businessmen wait patiently for the girls to arrive. One of the men, a member of a national sex club known only as the "Secret Society," has made a call to the club's central office, and has requested an evening's entertainment. The society's main activities range from the production and distribution of out-and-out stag movies to the scheduling of abortions. This film shows this sex club in a cold realistic light that your customers will enjoy. Making wide use of hidden cameras, the producers have brought to the screen an exceptionally accurate account of the nation's wildest sin syndicate.

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Performers

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Production

Director:
Sande N. Johnsen

Producer:
Bob Cresse
Sande N. Johnsen

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.