A work in constant progress (and occasional regress).
Featuring:
Mirtha Legrand, Alfredo Alcón, Marcela López Rey
Written by:
Fernando Ayala
Luis Pico Estrada
Directed by:
Fernando Ayala
Release Date:
May 5, 1965
Original Title:
Con gusto a rabia
Genres:
Drama
Production Companies:
Aries Cinematográfica Argentina
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 91
A bourgeois lady has an affair with a revolutionary and idealistic young medical student who participates in the assault on a hospital.
This film is based on a daring payroll robbery that took place in Buenos Aires on 29 August 1963. A group of right-wing guerrillas hijacked an ambulance and used it to raid the payroll office of a large hospital. Total take was about US$100,000, a huge amount for the time. The film's main character is a principal operative in this caper and others; he's a lost soul who worships Hitler. Opposite him is Mirtha Legrand, neglected housewife of a wealthy landowner. She falls for him even as she rejects his tendency to violence. Alfredo Alcon smolders in the starring role. He burns with a misplaced but believable ire. The film is badly acted at times by the supporting cast, but the romance is believable and it builds to a tense climax. The allegory here is of the politics of Juan Peron; the screenplay is by noted anti-Peronist authors. The film rather courageously delves into the darker aspects of Argentine politics of that time, weighing the worth of commitments that lead to violence. Music is by a young Astor Piazzola.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.